Kentucky 1800: String Orchestra Conductor Score & Parts
By Clare Grundman / Arranged by Robert Longfield
Grade: 3-4
Item: 35-PK00143584
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Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Kentucky 1800 - Conductor Score (Full Score) | $7.50 | |
| Kentucky 1800 - Violin 1 | $7.00 | |
| Kentucky 1800 - Violin 2 | $7.00 | |
| Kentucky 1800 - Violin 3 (Viola T.C.) | $7.00 | |
| Kentucky 1800 - Viola | $7.00 | |
| Kentucky 1800 - Cello | $7.00 | |
| Kentucky 1800 - Bass | $7.00 |
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Description
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More about this title
About the Composer: Clare Grundman
Clare Grundman carved out a significant career writing accessible band and orchestra music for school ensembles. His gift lay in crafting straightforward, musically satisfying arrangements that respected both the limitations and capabilities of developing musicians, making him a fixture in American school music programs for decades.
Why we love this
Robert Longfield's string arrangement preserves everything that made the original work so durable in school repertoire while adapting it thoughtfully for the orchestral medium. The folk melody medley structure gives players immediate musical gratification, and the three-minute length makes it a natural fit for festival programs where pacing matters.
What to expect
Rooted, approachable Americana that unfolds without pretense. The traditional melodies create an immediate sense of familiarity and warmth, while Longfield's orchestration provides enough harmonic color to keep things fresh across the three minutes.
Who it's for
This works for developing string orchestras that have solid fundamental technique but benefit from repertoire with obvious melodic content and straightforward harmonic language. It's equally valuable for programs seeking festival material that doesn't require extensive rehearsal time to sound polished.
How to get the most out of it
- Balance the melody between first and second violins when the tune passes between parts; resist over-blending into homogeneity.
- Keep the pulse steady through key changes and tempo shifts; this montage style lives or dies on rhythmic clarity.
- Shape each folk song as a complete musical thought rather than rushing between themes; let each melody breathe.
How to use it
Drop this into a spring or fall festival program where you need something with genuine audience appeal and authentic character. It also works well as a concert opener that settles an audience into the right mood before heavier programming.
Skills your students will build
- Maintaining consistent phrasing across theme transitions
- Balancing multiple melodic lines in string voicings
- Playing with stylistic awareness of folk idiom
- Reading across key signature changes
- Building confidence with direct, lyrical material