Keine Stille außer der des Windes Cover Image

Keine Stille außer der des Windes: Full Scores

$280.00 USD
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Keine Stille außer der des Windes Cover Image

Keine Stille außer der des Windes: Full Scores

Opera in 4 parts

By Sidney Corbett / words by Simone Homem de Mello

Item: 98-EP14382

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Description

Sidney Corbett's Keine Stille (außer der des Windes) is an 80-minute chamber opera with a libretto by Simone Homem de Mello, based on texts by Fernando Pessoa. The librettist and composer pack the literary fragments of this poetry of loneliness into a hermetically sealed space and a daily cycle that six or seven characters have to face. Keine Stille (außer der des Windes) – No Silence (Except that of the Wind) – was commissioned by Bremen Theatre and premiered at the city's Concordia Theatre on 31 January 2007. This new edition (EP 14382) is the conducting score of the work; the orchestral parts are available on for hire.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 224
ISBN10: 0-01-413361-X
ISBN13: 979-0-01-413361-0
SKU: 98-EP14382

More about this title

About the Composer: Sidney Corbett

Sidney Corbett is a British composer whose work spans opera, orchestral music, and chamber works, often exploring the intersection of language, literary text, and musical form. His compositions are known for their precise harmonic language and integration of poetic meaning into structural design.

Why we love this

This conducting score grants access to an ambitious chamber opera that treats operatic form with intellectual rigor and restraint. The chamber instrumentation and literary foundation make it a rewarding study for conductors interested in contemporary vocal music that respects both text and musical architecture.

What to expect

Corbett's score creates a hermetically sealed world where sparse, deliberate musical gestures carry the weight of Pessoa's fragmented meditations on solitude. The chamber forces move between moments of stark simplicity and tightly controlled complexity, with the wind itself becoming almost a character in the drama.

Who it's for

Conductors preparing chamber opera for performance or study, opera companies with interest in contemporary works, and advanced conducting students exploring 21st-century operatic writing. This full score is essential for anyone mounting or examining this work.

How to get the most out of it

  • Study the libretto in parallel with the score to understand how Corbett's harmonic language reflects the emotional arc of each scene and the recurring themes of isolation and silence.
  • Attend closely to the balance between the voices and the chamber ensemble; the instrumentation never overwhelms the text, requiring careful dynamic control.
  • Map the daily cycle structure across the opera to clarify the work's overall dramatic trajectory and help singers locate their characters within this temporal framework.

How to use it

This 80-minute work functions as a complete concert event or festival offering; its scale and literary ambition make it unsuitable for pairing as an opener or filler. It demands a dedicated audience prepared for contemporary opera that privileges text clarity and philosophical depth.

Skills your students will build

  • Conducting chamber opera and managing ensemble balance with voices
  • Interpreting contemporary harmonic language and structural form
  • Coordinating text-driven dramatic pacing with musical structure
  • Score study of a full operatic work across multiple vocal lines and instrumental parts

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