Karate (Everybody's Everything) Cover Image

Karate (Everybody's Everything): Percussion Ensemble Conductor Score & Parts

$18.99 USD
Sale price  $18.99 USD Regular price 
Skip to product information
Karate (Everybody's Everything) Cover Image

Karate (Everybody's Everything): Percussion Ensemble Conductor Score & Parts

(For 11 Players)

Words and music by Tyron Moss and Milton Brown / arr. Patrick Moore

Item: 00-40775

$18.99
Shipped

One moment…

Description
"Everybody's Everything" is one of the featured singles on the band Santana's second self-titled album. The song hit No. 12 in 1972 on the Hot 100 charts, and features a solo by future Journey guitarist Neal Schon. The marimba 1 and 2 parts have been written so they can be performed on the same marimba, or on separate marimbas if preferred. The electric bass part can also be doubled on a bass marimba if available. Scored for 11 players.

Karate (Everybody's Everything): Percussion Ensemble Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Alfred's Pop Percussion Ensemble Series
Publisher: Alfred Music
Page Count: 44
ISBN10: 0-7390-9475-0
ISBN13: 978-0-7390-9475-4
UPC: 038081456522
SKU: 00-40775

More about this title

Why we love this

This arrangement captures the infectious groove and Latin percussion energy of a Santana classic without requiring advanced facility on every instrument. The flexible instrumentation (particularly the option to perform marimba 1 and 2 on a single marimba, or double the electric bass on bass marimba) makes it genuinely adaptable to what your ensemble owns. It's a crowd-pleaser that connects students to a legitimate hit from music history while building real ensemble skills.

What to expect

Energetic and celebratory, with the warm resonance of marimba and the syncopated drive of Latin percussion. The groove sits in a comfortable pocket that feels immediately musical, inviting audiences into a familiar, joyful sound world.

Who it's for

Percussion ensembles at the intermediate level (Grade 3) with access to marimbas, congas, bongos, timbales, and auxiliary percussion. This works well for groups looking to expand beyond classical percussion literature into popular music while maintaining ensemble musicianship standards.

How to get the most out of it

  • Lock the kick drum, electric bass, and conga rhythm together in early rehearsals; once that foundation is solid, the pitched percussion parts will sit naturally on top of it.
  • Balance the marimba parts so neither overwhelms the other, especially if you're doubling them on a single instrument. The melody should speak clearly through the groove.
  • Encourage the conga and bongo players to listen carefully to each other and to the kick drum to maintain the tight, syncopated feel that drives the original recording.
  • Use the recorded arrangement as a reference for the overall sound and pocket, but allow your ensemble to develop its own energy within the established groove.

How to use it

Program this as a contemporary pop highlight on a percussion-centered concert or a mixed classical and popular program. It works especially well as a closer or mid-set energy builder that reminds audiences why Santana's music has remained accessible and joyful across decades.

Skills your students will build

  • Latin percussion grooves and clave-based rhythms
  • Ensemble coordination across pitched and unpitched instruments
  • Reading rhythm section parts with syncopation
  • Marimba melodic playing within a full ensemble texture
  • Listening and blending multiple percussion lines simultaneously

You May Also Like