(Just Like) Starting Over Sheet Music Preview

(Just Like) Starting Over: E-Z Play Today

As performed by John Lennon

Item: 35-DS00881887

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00881887

More about this title

About the Artist: John Lennon

John Lennon (1940-1980) was a songwriter, musician, and founding member of The Beatles, whose influence on popular music and culture remains unmatched. Beyond his work with the band, Lennon's solo career produced some of rock's most enduring compositions, marked by introspective lyrics and melodic sophistication that reward close listening and careful interpretation.

For music educators, Lennon's catalog offers accessible entry points into contemporary songwriting that students actually want to play. His melodies sit well on piano, his harmonic choices reward analysis, and his songs carry enough emotional weight to keep student musicians engaged through the work of learning them.

Why we love this

Students gravitate toward this song with genuine enthusiasm, which alone makes it worth teaching. The arrangement sits comfortably under student hands while preserving the song's emotional core; nothing feels oversimplified or condescending. It's the kind of piece that reminds pianists why they wanted to play music in the first place.

What to expect

Tender and reflective, with moments of quiet optimism. The accompaniment creates gentle forward momentum while the melody unfolds with honesty and restraint. Playing this piece asks for stillness and attention rather than technical flash.

Who it's for

Intermediate pianists with some experience reading chord symbols and playing contemporary music. Students preparing recital repertoire or building confidence in popular song arrangements will find this manageable and rewarding.

How to get the most out of it

  • Shape the melody with careful attention to phrase length rather than playing it mechanically. The song breathes in specific places, and respecting those moments transforms adequate playing into something moving.
  • Balance the left-hand accompaniment so it supports without overwhelming the vocal line or right-hand melody. Many students push the rhythm too hard; pull back and let the listener hear the top voice clearly.
  • Explore the dynamic arc across the five pages. Plan where the piece builds and where it pulls back rather than playing at one static level throughout.

How to use it

Pair this with other rock and pop standards in a contemporary music showcase, or schedule it as a solo recital piece for students seeking material beyond the classical canon. It works particularly well in settings where you're encouraging students to explore music beyond their usual genre boundaries.

Skills your students will build

  • Reading chord symbols and interpreting lead sheet notation
  • Balancing melody against accompaniment texture
  • Shaping phrases without relying on classical articulation conventions
  • Performing contemporary pop repertoire with musical intent

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