Just Imagine!, Book 1 Cover Image

Just Imagine!, Book 1: Piano Book

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Just Imagine!, Book 1 Cover Image

Just Imagine!, Book 1: Piano Book

7 Elementary Piano Solos That Encourage Expressive, Imaginative Playing

By Martha Mier

Level: Elementary

Item: 00-6684

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Description
A variety of moods, color and style are explored in this wonderful collection of supplementary solos by Martha Mier. Each volume contains seven pieces which help the student feel the mood of the music.

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Additional Details
Publisher: Alfred Music
Page Count: 16
ISBN10: 0-7390-0542-1
ISBN13: 978-0-7390-0542-2
UPC: 038081023113
SKU: 00-6684

More about this title

About the Composer: Martha Mier

Martha Mier

Martha Mier has shaped elementary piano education through decades of teaching, composing, and mentoring. A Florida State University graduate and longtime piano studio owner, she brings real classroom experience to every piece she writes. Her work appears in the National Federation of Music Clubs Junior Festival Bulletin and has been adopted by music teachers across the United States and internationally.

Mier serves as a clinician and adjudicator at major conferences including the Music Teachers National Association Conference, the National Piano Teachers Institute, and the World Piano Pedagogy Conference. She holds national and state certification through MTNA, FSMTA, and the National Guild of Piano Teachers, and has co-authored Alfred's Premier Piano Course alongside more than 200 other educational publications. Her engagement with the teaching community—both domestically and abroad in Australia and New Zealand—has made her one of today's most widely performed elementary composers.

Why we love this

Mier captures real emotional content in seven short pieces that students genuinely want to play. Each solo explores a distinct mood and musical style, so your students experience variety in texture, character, and technical demands without stepping into intermediate territory. This is exactly the kind of engaging supplementary material that fills the gap between method book lessons and performance repertoire.

What to expect

This collection captures the discovery that piano music can sound many different ways. One piece might float with impressionistic delicacy; another might stride forward with rhythmic character; a third might bloom with lyrical warmth. Students experience the instrument's range of color and learn that technique matters most when it serves the character of the music.

Who it's for

Elementary piano students looking for repertoire that extends beyond their method book without requiring a dramatic leap in technique. Teachers seeking short, musically complete solos that develop interpretive skills and keep students engaged through variety of mood and style.

How to get the most out of it

  • Listen to recordings of different musical styles represented in the collection before your student learns each piece. Familiarity with the idiom (whether lyrical, rhythmic, or impressionistic) makes the mood of the music feel authentic rather than mechanical.
  • Encourage students to identify what they hear in each piece: Is it happy or reflective? Fast or calm? Lively or dreamy? Connecting emotional content to the printed music builds interpretive thinking from the start.
  • Work on voicing and balance when pieces contain melody and accompaniment. Even at elementary level, students benefit from hearing how the melodic line sits above a supporting texture.

How to use it

Use individual solos from Book 1 as recital pieces throughout the year, selecting them based on each student's temperament and technical development. The variety of moods means you can program pieces back-to-back and create natural contrast in a student recital or studio performance. These solos also work well as sight-reading assignments or listening examples when teaching about musical character and mood.

Skills your students will build

  • Interpreting musical mood and character through touch and tempo
  • Recognizing and performing different musical styles (impressionistic, rhythmic, lyrical)
  • Balance between melody and accompaniment
  • Reading and responding to dynamic and tempo markings
  • Sustaining musicality in short-form pieces

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