Jupiter, the Bringer of Jollity Cover Image

Jupiter, the Bringer of Jollity: HybridNOW Full Orchestra Conductor Score & Parts

$80.00 USD
Sale price  $80.00 USD Regular price 
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Jupiter, the Bringer of Jollity Cover Image

Jupiter, the Bringer of Jollity: HybridNOW Full Orchestra Conductor Score & Parts

From The Planets

By Gustav Holst / arr. Michael Story

Grade: 1.5

Item: 00-50337H

$80.00
HybridNOW

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  • Digital music NOW — instant access to the full performance set
  • Permission to COPY all parts as needed
  • Additional PRINT score delivered separately by mail
Description
Written in 1914–1916, Gustav Holst's The Planets is undoubtedly one of the most important compositions of the 20th century. Michael Story has crafted an easy but effective arrangement of the beautiful melody from Jupiter for your beginning string or full orchestra. 

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Additional Details
Series: Belwin Beginning Full Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-8663-5
ISBN13: 978-1-4706-8663-5
UPC: 038081620558
SKU: 00-50337H

More about this title

About the Composer: Gustav Holst

Gustav Holst (1874–1934) was an English composer whose output ranged from opera to choral works to film scores, but he remains best known for The Planets, a seven-movement orchestral suite that fundamentally shaped how 20th-century composers approached programmatic writing. His gift for memorable melody combined with sophisticated orchestration made him a natural educator as well; he taught composition and conducting throughout his career and believed deeply in music's power to transform communities.

Holst's influence on music education extends far beyond his concert works. He championed school music programs, composed extensively for young musicians, and demonstrated that serious artistic standards need not be reserved for advanced performers. The Planets endures because its themes are instantly singable, its orchestrations are transparent enough for students to hear individual lines, and its emotional directness speaks across generations.

Why we love this

Michael Story's arrangement preserves everything that makes Jupiter irresistible: the broad, stately melody and its harmonic warmth. At Grade 1.5, it's genuinely playable for developing musicians without sacrificing the piece's dignity or the emotional payoff your ensemble deserves. You get authentic Holst without the technical barriers that would sideline students still building fundamentals.

What to expect

Noble and generous. The melody unfolds like a hymn: steady, warm, and deeply satisfying. There's no fussiness here, just pure melodic expression supported by straightforward harmonic movement that lets every student hear their contribution.

Who it's for

Beginning to early intermediate full orchestras and concert bands looking for a showpiece that feels substantial without overwhelming young players. This works equally well for first-year orchestras and as a confidence-builder in ensembles still developing ensemble precision.

How to get the most out of it

  • Shape the main melody as a unified line across your ensemble, even as it passes between sections. Young players often fragment when trading parts; deliberate attention to the musical arc during sectionals prevents this.
  • Balance divisi carefully in the strings so inner voices support rather than compete with the principal melody. Solo cello or first violin should always sing forward.
  • Establish a warm, unhurried tempo in rehearsal. This melody sits naturally around a walking pace; rushing the pulse flattens the grandeur Holst built into these four bars.

How to use it

Pair this with lighter contemporary arrangements or shorter student-composed pieces to anchor a concert and give your audience a moment of genuine grandeur. It also works beautifully as a festival or contest selection where judges recognize the care needed to deliver such a familiar melody with freshness.

Skills your students will build

  • Sustained lyrical phrasing across 4-8 bar phrases
  • Balancing melody with supporting harmony
  • Reading and playing divisi sections with independence
  • Controlling vibrato and tone quality for expressivity
  • Maintaining ensemble cohesion at moderate tempos

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