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Jumpin' Jelly Beans: String Orchestra Conductor Score & Parts

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Jumpin' Jelly Beans: String Orchestra Conductor Score & Parts

By Loreta Fin

Grade: 1.5-2

Item: 76-30168

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Description
It is in Moto Perpetuo style and very uncomplicated. The piece uses left-hand pizzicato.

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Additional Details
Series: Wilfin String Orchestra: Young String Ensemble Series
Publisher: Wilfin Music
Page Count: 82
UPC: 038081327051
SKU: 76-30168

More about this title

About the Composer: Loreta Fin

Loreta Fin

Loreta Fin studied viola and violin at the Sydney Conservatorium of Music and spent decades as a performing musician, serving as Principal Viola with the Queensland Pops Orchestra while maintaining an active chamber music career. She has shaped generations of young string players as Director of Strings at Somerville House School in Brisbane since 1993, and her deep commitment to string education earned her the National Award for Services to Music and String Teaching in Australia.

Beyond the classroom, Fin has been a force in the Australian strings community, holding leadership roles in the Australian Strings Association as both State and National President and serving as State Advisor for Strings with the Australian Music Examinations Board. She conducts the State and National Honours Ensembles Programs and has adjudicated at major competitions across Australia and presented at national conferences in both Australia and the United States. Her catalogue of over 100 published works for string orchestra reflects her intimate understanding of young ensemble capabilities.

Why we love this

Fin delivers genuine fun without resorting to complexity. The perpetual motion rhythm creates forward momentum that keeps young players engaged and builds confidence, while the left-hand pizzicato technique introduces a practical skill that feels like a small victory when students master it. This is repertoire that works on both the page and in performance.

What to expect

Bouncy and lighthearted, with an irrepressible forward propulsion. The perpetual motion style creates a sense of playful momentum, while the pizzicato rhythms add a percussive quality that energizes the whole ensemble.

Who it's for

Young string orchestras at the beginner to early intermediate level will find this piece accessible and rewarding. The Grade 1.5-2 difficulty makes it approachable for first and second year students while the novelty character appeals to younger ensembles who respond well to playful repertoire.

How to get the most out of it

  • Establish a steady tempo early in rehearsals and stick with it. The moto perpetuo style depends on consistent pulse, so anchor your conducting with a clear beat and have pizzicato players lock in together before layering other voices.
  • Balance the left-hand pizzicato lines so they're heard clearly without drowning out melodic material. If you have strong pizzicato players, they can carry the rhythm; weaker sections may need bow support underneath to maintain steadiness.
  • Keep the energy light and bouncy. This novelty piece thrives on rhythmic precision and articulation rather than dynamic depth, so focus rehearsal time on tight ensemble playing and clear note attacks.

How to use it

Program this early in a concert where you need a fun opener that settles nerves and wakes up the audience. It pairs well with more serious baroque or classical selections on the same program, offering contrast and personality without disrupting concert flow.

Skills your students will build

  • Left-hand pizzicato technique and control
  • Playing continuous rhythmic patterns in moto perpetuo style
  • Ensemble balance and blend in fast-moving lines
  • Steady pulse and rhythmic accuracy in perpetual motion contexts

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