Jubilate Deo: 3-Part Mixed Choral Octavo

By Emily Crocker

Item: 35-DS01512376

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Additional Details
Publisher: Hal Leonard
Page Count: 15
SKU: 35-DS01512376

More about this title

About the Composer: Emily Crocker

Emily Crocker

Emily Crocker spent fifteen years teaching music across all grade levels in Texas public schools before transitioning to curriculum development. She joined Hal Leonard in 1989 and rose to Vice President of Choral Publications, a position she held until her retirement in 2017 after nearly three decades with the company.

Beyond her publishing leadership, Crocker founded and directed the Milwaukee Children's Choir for fifteen years and established the Vocal Arts Academy of Milwaukee, where she served as director until 2015. Her compositions have earned performances worldwide, and she is recognized for creating choral materials that balance pedagogical clarity with musical substance. She now lives in Fort Worth, Texas, where she continues composing and advocating for arts education.

Why we love this

Crocker understands what works in a three-part mixed voicing because she has spent decades writing for real choirs with real scheduling constraints. This piece brings festive celebration to Easter without demanding vocal gymnastics, leaving room for students to focus on blend, intonation, and text expression in a sacred context.

What to expect

Jubilate Deo radiates joy and affirmation appropriate to Easter themes. The piece combines harmonic clarity with accessible melodic contours, creating a bright, celebratory sound that feels earned rather than superficial.

Who it's for

This octavo serves choirs with mixed voices at the intermediate level, including high school ensembles, community choirs, and church choirs seeking repertoire for Easter services or spring concerts. Directors working with limited rehearsal time will appreciate how Crocker's part writing supports quick learning without sacrificing musicality.

How to get the most out of it

  • Find the natural text emphasis first; let the words guide phrasing rather than imposing a mechanical approach to the bar lines.
  • Lighten the middle voices in moments where they accompany the melody, keeping focus on the primary line without the second and third parts disappearing.
  • Approach any divisi passages with clear sectional rehearsal time so each part feels secure before combining voices again.

How to use it

Pair this with a more introspective sacred work to create emotional arc within an Easter concert. Its 15-page score and manageable difficulty make it an excellent choice for a spring repertoire clinic or festival where you need something substantial yet approachable.

Skills your students will build

  • Singing in three-part mixed voicing with secure inner part independence
  • Articulating sacred text with appropriate reverence and clarity
  • Maintaining intonation in sustained harmonic passages
  • Balancing melodic line against accompanimental voices

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