Joyful and Triumphant: Choral Instrumental Pak
Arranged by Mark Hayes
Item: 35-PK00496233
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About the Arranger: Mark Hayes

Mark Hayes has established himself as a prolific force in choral and sacred music, with over 1,750 published works spanning concert piano, orchestration, and composition. A summa cum laude graduate in Piano Performance from Baylor University, Hayes has conducted prestigious venues including Lincoln Center, the National Cathedral, and Carnegie Hall, premiering major works like his Requiem at Lincoln Center in 2013 and again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014.
Beyond the concert hall, Hayes balances serious composition with an expansive catalog of accessible piano books covering gospel, classical, jazz, and Broadway styles. His work extends into musical theater orchestration and arrangement, including the hit musical Madame Buttermilk and We'll Meet Again. In 2010, Baylor University's Center for Christian Music Studies recognized his contributions with the Award for Exemplary Leadership in Christian Music. Based in Kansas City, Missouri, Hayes continues composing and performing internationally while maintaining a deep commitment to creating music that resonates across diverse audiences.
Why we love this
Hayes brings his gift for orchestration and harmonic sophistication to four beloved carols, creating something that feels fresh without losing the hymns' spiritual foundation. The medley structure works beautifully for congregational singing while the instrumental writing remains engaging enough to hold musicians' attention throughout the service.
What to expect
Exuberant but grounded in hymn tradition, this medley radiates celebratory warmth without sacrificing musical integrity. The orchestration amplifies the joy inherent in these four beloved melodies, creating moments of brightness that feel earned rather than forced.
Who it's for
Church choirs with instrumental support, festival choirs looking for a crowd-pleasing holiday offering, and programs seeking a single extended carol medley that avoids either oversimplification or excessive modernization. This works equally well for a Christmas pageant finale or a traditional service anthem.
How to get the most out of it
- Balance the organ or piano accompaniment carefully against the choir and instruments; the arrangement shines when all voices have room to breathe together.
- Rehearse the transitions between the four carols separately before running them as one continuous piece; clean sectional shifts elevate the overall impact.
- Let your soloists (if featured) own their moments without the full ensemble competing for space; Hayes's orchestration creates natural openings for this.
How to use it
Program this as a powerful closer for a Christmas concert or as the anthem in a holiday service where congregational participation matters. It also serves excellently as a pageant finale, giving musicians and singers equal weight in a joyful send-off.
Skills your students will build
- Managing harmonic and textural density across multiple overlapping melodies
- Balancing choral lines against varied instrumental textures
- Executing smooth modulations and key changes within a medley structure
- Responding to orchestral cues and maintaining ensemble cohesion across sectional shifts