Joy to the World (Jeremiah Was a Bullfrog): 2-Part Choral Octavo
Words and music by Hoyt Axton / arr. Jeff Funk
Item: 00-PO-0007737
Minimum order quantity: 20 copies
Pickup currently not available
Related Items
Joy to the World (Jeremiah Was a Bullfrog): SAB Choral Octavo |
$2.10
|
View | |
Joy to the World (Jeremiah Was a Bullfrog): SATB Choral Octavo |
$2.25
|
View | |
Joy to the World (Jeremiah Was a Bullfrog): SAB Choral Octavo |
$2.10
|
View | |
Joy to the World (Jeremiah Was a Bullfrog): 2-Part Choral Octavo |
$2.25
|
View | |
Joy to the World (Jeremiah Was a Bullfrog): Choral Octavo SoundTrax CD |
$27.99
|
View |
Description
Joy to the World (Jeremiah Was a Bullfrog): 2-Part Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Hoyt Axton
Hoyt Axton (1938-1999) was a singer, guitarist, and songwriter who bridged country, folk, and rock traditions throughout his career. He wrote songs that became standards across multiple genres, including "Greenback Dollar" and the novelty classic "Joy to the World (Jeremiah Was a Bullfrog)," which reached number one in 1971 and remains instantly recognizable across generations of listeners.
Why we love this
This arrangement captures the irreverent humor and infectious groove of one of rock's most enduring novelty hits, making it a smart choice for choirs seeking contemporary material with genuine appeal to young singers. The 2-part voicing keeps the arrangement accessible while Jeff Funk's arrangement preserves the song's comedic spirit and driving rhythm, ensuring students stay engaged rather than slogging through another reverent standard. Programming this opens doors to discussions about secular songwriting, the history of novelty records, and how choral music can entertain without sacrificing musicianship.
What to expect
Playful and propulsive, with a wink-and-nudge attitude that invites the ensemble to have fun with the music. The steady rock groove and memorable hook create momentum that carries singers and listeners alike, while the familiar melody ensures the piece feels instantly approachable even on first read.
Who it's for
Any choir seeking contemporary, fun material that resonates with younger singers and general audiences alike. The 2-part voicing makes it accessible to middle school through early high school ensembles, mixed choirs without strong lower voice sections, or community groups looking for a crowd-pleasing piece that doesn't require advanced vocal technique.
How to get the most out of it
- Nail the rhythmic precision of the groove by locking the ensemble into a steady pulse during rehearsal; use the recorded accompaniment to help singers internalize the swing and pocket of the arrangement.
- Lean into the comedic tone without letting it undermine vocal clarity; the novelty appeal works best when every lyric lands clearly and the blend remains intentional.
- Balance the two parts so neither voice dominates; this arrangement likely uses both ranges equally, so check that singers aren't drifting toward unison in moments where separation matters.
How to use it
This works beautifully in spring concerts, community engagement events, or pops-style programs where you're mixing choral genres and moods. Pair it with other contemporary or novelty pieces to create a program section that showcases the choir's versatility and connection to music beyond the classical canon.
Skills your students will build
- Maintaining rhythmic precision in rock and pop idioms
- Part independence in 2-part textures
- Lyrical clarity and projection in contemporary vocal music
- Interpreting style markings and performance direction for comedic effect