Joy To The World: A Christmas Carol (Choral Version) Cover Image

Joy To The World: A Christmas Carol (Choral Version): Part(s)

$1.50 USD
Sale price  $1.50 USD Regular price 
Skip to product information
Joy To The World: A Christmas Carol (Choral Version) Cover Image

Joy To The World: A Christmas Carol (Choral Version): Part(s)

By Arthur Harris / arr. William H. Silvester

Item: 36-M905892

$1.50
Shipped

One moment…

Description
The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus.  These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season.  Choral scores for each work are available separately.  Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High.  Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas.  Choral part can be performed a capella or with band M905802.

Joy To The World: A Christmas Carol (Choral Version): Part(s) isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Arthur Harris Christmas Series - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355005862
SKU: 36-M905892
Instrumentation: Concert Band

More about this title

About the Composer: Arthur Harris

Arthur Harris composed orchestral works across multiple genres, with a particular gift for holiday arrangements that balance accessibility with musical substance. His Christmas series demonstrates a composer who understood how to write for mixed ensembles without sacrificing orchestral color or emotional depth.

Why we love this

This arrangement bridges two ensembles seamlessly, giving you genuine flexibility in how you present a beloved carol. The choral parts work equally well with full band support or sung a capella, so you're not locked into one performance concept. It's the kind of practical music-making that actually solves real rehearsal logistics without sacrificing arrangement quality.

What to expect

Stately and bright, with the familiar melody carried through rich harmonic support. The arrangement honors the carol's traditional dignity while the combination of instrumental color and vocal warmth creates a full, celebratory sound.

Who it's for

Band directors programming holiday concerts who want to involve their choral colleagues without requiring separate arrangements. This works for ensembles of intermediate ability and above that have both capable singers and band musicians ready to collaborate.

How to get the most out of it

  • Balance the voices carefully against the band; the choral writing sits naturally within the orchestral texture, so resist over-amplifying either section.
  • If performing a capella, establish the pitch and tempo confidently from the band before singers enter, then maintain steady ensemble awareness without instrumental anchoring.
  • Rehearse the band and chorus separately first, then combine early enough to work through blend and rhythmic alignment across the full group.

How to use it

Feature this as a centerpiece of your holiday concert, perhaps closing a set of purely instrumental carols or opening the second half with chorus joining band. It also works beautifully as a finale when you want to unite all performing groups on stage.

Skills your students will build

  • Balancing instrumental and choral ensemble blend
  • Maintaining intonation and rhythm in mixed ensembles
  • Performing with and without instrumental accompaniment
  • Interpretation of traditional melody within contemporary orchestration

You May Also Like