Joy In The Morning Sheet Music Preview

Joy In The Morning: SSA Choral Octavo

By Emily Crocker

Item: 35-DS00459401

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00459401

More about this title

About the Composer: Emily Crocker

Emily Crocker

Emily Crocker spent fifteen years teaching music in Texas public schools before moving into music publishing. She joined Hal Leonard in 1989 and eventually led the entire choral publications department as Vice President until her retirement in 2017 after nearly three decades with the company.

Beyond her publishing work, Crocker founded and directed the Milwaukee Children's Choir from 1994 to 2009 and later established the Vocal Arts Academy of Milwaukee. Her compositions are performed internationally, and she is recognized particularly for creating choral materials that serve both student singers and educators. She now composes in Fort Worth, Texas, where she continues to champion music in her community.

Why we love this

Crocker's gift for pairing uplifting text with accessible writing makes this octavo genuinely engaging for SSA ensembles without compromising musicality. The piece carries that rare quality of feeling fresh and contemporary while remaining practical for groups with mixed reading levels and confidence.

What to expect

Warmth and affirmation permeate this piece. The text and music work together to create an inviting sonic space, neither saccharine nor heavy, that listeners feel as much as hear.

Who it's for

SSA and SSAA choirs preparing winter concerts or festival repertoire. This works particularly well for ensembles seeking music that balances accessibility with genuine artistry, and for directors who want their singers to experience a contemporary composer's voice.

How to get the most out of it

  • Balance the blend carefully in moments where the voicing spreads; soprano clarity matters, but don't let the SSA texture become top-heavy.
  • Find the natural shape of the text first, then let the harmonic movement support rather than fight those speech rhythms.
  • Articulate consonants cleanly, especially in passage work, to keep the diction from blurring when voices move through their ranges.

How to use it

Include this as an emotional anchor in a winter concert, especially when surrounded by more austere or elaborate selections. Its moderate length and approachable performance demands make it ideal for filling a spot in a festival slate without requiring weeks of extra rehearsal time.

Skills your students will build

  • Blend and balance in three-part and four-part voicing
  • Connecting text to musical phrasing
  • Reading contemporary harmonic language
  • Sustaining a steady line while other voices move

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