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Journey of Five: String Orchestra Conductor Score & Parts

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Journey of Five: String Orchestra Conductor Score & Parts

By Loreta Fin

Grade: 3

Item: 76-30173

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Description
5/4 is not a time signature that appears frequently in student repertoire, yet it gives an exciting, driving force to the music. This piece requires an edgy "off the string" style of bowing in the accompaniment, which must be sustained, even in softer passages.

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Additional Details
Series: Wilfin String Orchestra: Young String Ensemble Series
Publisher: Wilfin Music
Page Count: 108
UPC: 038081327150
SKU: 76-30173

More about this title

About the Composer: Loreta Fin

Loreta Fin

Loreta Fin is an Australian violist, educator, and prolific composer with deep roots in string music. A graduate of the Sydney Conservatorium of Music and former concertmaster of the Sydney Youth Orchestra, she spent over 25 years as Principal Viola with the Queensland Pops Orchestra while building a distinguished teaching career at Somerville House School in Brisbane since 1993. Her experience as an adjudicator at major Australian competitions and presenter at both Australian and American national string conferences has shaped her understanding of what student ensembles need to grow.

Fin has composed over 100 works for string orchestra, all published by Alfred Music and performed worldwide. She served the Australian Strings Association in leadership roles for more than 25 years, including terms as State and National President, and received the National Award for Services to Music and String Teaching in Australia. Currently the State Advisor for Strings and a regular conductor of State and National Honours Ensembles Programs in Brisbane, she remains deeply invested in string education at all levels.

Why we love this

Fin has written a piece that teaches something genuinely valuable: how to navigate 5/4 with musical maturity rather than academic awkwardness. The off-the-string accompaniment figures demand technical control and stylistic consistency, making this a natural stepping stone toward more adventurous meter work without sacrificing musical integrity or student engagement.

What to expect

Propulsive and angular, with an edgy rhythmic drive that comes from the persistent off-the-string accompaniment figures. The 5/4 meter feels natural and inevitable once players settle into it, creating a sense of forward motion that feels both contemporary and energizing.

Who it's for

This work suits Grade 3 string orchestras ready to expand their metrical vocabulary and technical demands. It belongs with ensembles whose players have solid intonation and basic bow control, and whose director wants to introduce shifting meters without overwhelming the group.

How to get the most out of it

  • Establish the off-the-string bowing pattern as the foundation of rehearsal. Have accompaniment players isolate these figures and lock the articulation before layering in any melodic material.
  • Count clearly through the 5/4 phrases in early rehearsals, then gradually pull back the visible beat as players internalize the meter's natural arc and momentum.
  • Maintain brightness and forward energy even in soft passages; the off-the-string character should sound crisp, not thin or tentative.

How to use it

Place this strategically on a concert where it can anchor a set of repertoire that explores different time signatures, or program it as a contrasting piece between more traditionally metered works. Its contest and festival designation makes it equally valuable for festival participation, where its distinctive character will stand out in a crowded schedule.

Skills your students will build

  • Reading and performing in 5/4 with metric confidence
  • Sustaining off-the-string bowing technique across varied dynamic levels
  • Ensemble synchronization in non-traditional meters
  • Articulation precision and rhythmic clarity in accompaniment roles

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