Josephs-Legende, Op. 63/ TrV 231: Symphonic Fragment, Trv 231a Cover Image

Josephs-Legende, Op. 63/ TrV 231: Symphonic Fragment, Trv 231a: Full Orchestra, Conductor Score & Parts

$225.00 USD
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Josephs-Legende, Op. 63/ TrV 231: Symphonic Fragment, Trv 231a Cover Image

Josephs-Legende, Op. 63/ TrV 231: Symphonic Fragment, Trv 231a: Full Orchestra, Conductor Score & Parts

By Richard Strauss, ed./arr. by Clinton F. Nieweg

Item: 36-A833302

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Description
JOSEPHS-LEGENDE, OP. 63/ TRV 231 is a one-act ballet that Richard Strauss (1864-1949) composed for the Ballets Russes at the suggestion of his librettist Hugo von Hofmannsthal. As he struggled to invest himself in the subject of Joseph and Potiphar's wife, the process of writing the music gave him a considerable amount of difficulty. It premiered at the Paris Opera on May 14, 1914, under the direction of the composer. In 1947, he extracted a symphonic fragment of music from the ballet, TRV 231A. Max Reiter conducted the first performance of this version for reduced orchestra on February 26, 1949. Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.3+CBsn: 4.3.3.1: Timp. Perc(4): 2Hp.Cel.Org. Pno: Str (6-5-5.3-3.3-3.5 in set).

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Additional Details
Series: Nieweg Performance Editions - Kalmus
Publisher: Keiser Productions, Inc.
UPC: 659859235790
SKU: 36-A833302
Instrumentation: 3(3rd d. Picc).2+EH.2+BCl.3+CBsn: 4.3.3.1: Timp. Perc(4): 2Hp.Cel.Org. Pno: Str (6-5-5.3-3.3-3.5 in set)

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About the Composer: Richard Strauss

Richard Strauss (1864-1949) was a German composer and conductor whose orchestral works and operas defined late Romantic and early modern concert music. His mastery of large orchestral forces, complex harmonies, and vivid programmatic writing made him one of the most performed composers of the twentieth century. Strauss maintained an active conducting career throughout his life, leading premieres of his own works and gaining intimate knowledge of instrumental capabilities across the orchestra.

Why we love this

This symphonic fragment captures Strauss at his most sumptuous, distilling the ballet's richest orchestral writing into a concert piece that showcases his command of color and texture. The Nieweg Performance Edition restores important details from the original orchestral material, giving conductors and orchestras access to a work that sits perfectly between the familiar tone poems and the deeper catalog of Strauss's orchestral output. Programming this alongside a standard Strauss symphonic poem offers your orchestra a chance to explore the composer's later style and theatrical sensibility.

What to expect

The music unfolds with a sensuous, almost shimmering quality, balancing moments of lush harmonic warmth with delicate, impressionistic orchestration. Strauss's theatrical background infuses the fragment with dramatic pacing and color shifts, moving between intimate chamber textures and full orchestral climaxes that feel both inevitable and surprising. The overall character is introspective and refined rather than bombastic, reflecting the composer's mature compositional voice.

Who it's for

This score and parts suit orchestras with mature technical abilities and flexibility in handling Strauss's late-Romantic harmonic language. Conductors seeking to program substantial orchestral works that avoid the most frequently performed tone poems will find this fragment an elegant and rewarding choice.

How to get the most out of it

  • Balance the harp and celesta lines carefully; they function as structural markers in the harmonic landscape and should project without overwhelming the winds and strings.
  • Attend to the organ part as a continuo voice that supports harmonic movement. Its entries often signal key structural moments that can shape phrasing across the full orchestra.
  • Schedule substantial sectional rehearsals for the four-part percussion section, as these players carry rhythmic and timbral variety essential to Strauss's orchestration.
  • Work the string section on the sustained pianissimo passages; much of the piece's dramatic effect depends on a luminous, controlled sound at soft dynamics.

How to use it

This fragment works exceptionally well as a standalone orchestral interlude within a concert featuring Strauss's orchestral works or German Romantic repertoire. Its moderate length and tonal sophistication make it an ideal pairing with a shorter, more familiar tone poem, or as a bridge piece between symphonic and contemporary works.

Skills your students will build

  • Reading complex orchestral scores with unconventional doublings and instrumental combinations
  • Sustaining ensemble intonation and balance across extended pianissimo passages
  • Responding to nuanced tempo fluctuations and rubato within Strauss's chromatic harmonic language
  • Executing precise attacks and releases in a large percussion section across multiple players
  • Blending harp, celesta, and organ parts into the overall orchestral texture without losing instrumental clarity

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