Jolly Old St. Nicholas Sheet Music Preview

Jolly Old St. Nicholas: SATB Choral Octavo

As performed by Anne Raugh / As performed by Ken Malucelli / Arranged by Deke Sharon

Item: 35-DS00299714

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS00299714

More about this title

About the Artist: Anne Raugh

Anne Raugh is a versatile vocalist and musician with deep roots in both classical and contemporary music performance. Her work as a recording artist spans multiple genres, bringing interpretive insight and vocal artistry to projects ranging from traditional arrangements to modern compositions.

Why we love this

Deke Sharon's arrangement strips away sentimentality while keeping the carol's infectious charm intact. The four-part writing sits comfortably for mixed ensembles and showcases how a familiar melody can sound fresh through smart harmonic choices and voice leading.

What to expect

Bright and unpretentious, with the warmth of a well-known tune serving as a musical anchor. The a cappella setting creates intimacy while the four-part harmony adds substance and sophistication to a beloved melody.

Who it's for

Any SATB choir looking for accessible holiday repertoire that works for concerts, community events, or worship services. The four-page length makes it manageable for groups with limited rehearsal time.

How to get the most out of it

  • Balance the melody carefully across voices since Sharon likely distributes it throughout the arrangement rather than anchoring it in the soprano part alone.
  • Shape each phrase with intentional dynamics rather than singing through at a steady level; carols benefit from subtle peaks and valleys in energy.
  • Lock the harmonic rhythm as an ensemble first, then layer in the text for clean cutoffs and ensemble precision.

How to use it

Slot this into a holiday concert alongside more complex arrangements or original compositions to give your audience a moment of recognition and joy. It also works well as an opener for a seasonal program, setting a relaxed, celebratory tone before moving into heavier material.

Skills your students will build

  • Blending vowels across four independent parts
  • Maintaining pitch integrity in a cappella singing without instrumental support
  • Shaping melodic lines through strategic phrasing and dynamics
  • Balancing melody and harmony in an ensemble context

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