Johnny One-Note (arr. John Wasson): Jazz Ensemble Conductor Score & Parts
Arranged by John Wasson
Grade: 3
Item: 35-PK01678121
Digital Download
$50.00
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Description
A masterful arrangement of this classic standard. All sections get plenty of turns at both melody and hip accompaniment figures and the rhythm section packs a tight swinging groove with subtle variations that keep things interesting. All this while maintaining accessibility. A great chart that can be put together on minimal rehearsal time. Written solos and changes for Tenor 1 and Trumpet 2. Lead Trumpet plays up to optional high C and Lead Bone plays up to F.
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John Wasson is a composer and arranger whose work for jazz ensemble has become standard repertoire in high school and college programs. His arrangements balance accessibility with musical sophistication, making classic standards engaging for student musicians while respecting the integrity of the original compositions.
Why we love this
Wasson's treatment of this Rodgers and Hart gem distributes both melody and substantive musical material across all sections, ensuring nobody sits idle while the lead voices carry the tune. The rhythm section writing creates genuine pocket and swing without demanding virtuosity, which means students focus on phrasing and ensemble cohesion rather than scrambling through complex figures.
What to expect
The bright, playful spirit of the original shines through; you get that infectious Rodgers melody paired with a contemporary jazz groove that feels modern without sounding dated. There's real swing and humor in the arrangement, which students pick up on quickly and audiences connect with immediately.
Who it's for
Jazz ensembles at the grade 3 level looking for a polished, singable standard that teaches solid arranging craft without requiring an advanced rhythm section or extensive rehearsal time. This works equally well for jazz camps, festival performances, or concert programming where you need something fun and recognizable.
How to get the most out of it
Keep the swing feel grounded in the ride cymbal and bass; these two voices anchor the groove that makes everything else land properly.
Balance the section hits and accompaniment figures so they support rather than overshadow the melody at any given moment.
Let the written solos for Tenor 1 and Trumpet 2 breathe; they're transcribed material, not improvisation, so commit to the phrasing and articulation as written.
How to use it
Pair this with another uptempo chart to open a set with energy, or use it as a palate cleanser between ballads during a concert. It's ideal for mid-season programming when your ensemble has its fundamental blend and balance sorted but doesn't require the full rehearsal investment of a complex contemporary work.
Skills your students will build
Swing rhythm and feel at a practical level
Sectional ensemble balance and blend
Reading and executing written solo material
Jazz phrasing and articulation conventions
Interpreting rhythm section grooves and their function in the ensemble
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