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Joe Diorio: Creative Jazz Guitar: Guitar DVD

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Joe Diorio: Creative Jazz Guitar Cover Image

Joe Diorio: Creative Jazz Guitar: Guitar DVD

Joe Diorio

Item: 00-29189

$29.95
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Description
Jazz guitar master Joe Diorio embraces the true exploratory experience of jazz. With over 40 years of experience as a performer, recording artist, and instructor, Joe has worked with such jazz luminaries as Sonny Sitt, Eddie Harris, Ira Sullivan, Stan Getz, Horace Silver, and Anita O'Day. As a highly respected educator, Joe taught jazz improvisation at L.A.'s prestigious Musician's Institute, the University of Miami, and the University of Southern California, and has conducted seminars throughout the United States, Europe, and Brazil.

In this DVD, Joe discusses and demonstrates his techniques of composing and building solos with motifs along with many unique patterns for major and minor II-V-I progressions. Joe also includes his system for expanding your chord vocabulary to help you develop more contemporary and exotic chord changes. Joe's inspiring solos and demonstrations will give you a rare look at jazz from one of the world's greatest players.

Special features include a preview of Herb Ellis: Swing Jazz Soloing and Coping, a preview of Joe Pass: Jazz Lines, and a DVD-ROM with the complete video formatted for computer and iPod.

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Additional Details
Series: Alfred's Artist Series
Publisher: Alfred Music
ISBN10: 0-7390-5088-5
ISBN13: 978-0-7390-5088-0
UPC: 038081322292
SKU: 00-29189

More about this title

About the Artist: Joe Diorio

Joe Diorio is a jazz guitarist whose four decades as a performer, recording artist, and bandleader have placed him among the most respected voices in modern jazz. He has recorded and toured with jazz titans including Sonny Stitt, Eddie Harris, Ira Sullivan, Stan Getz, Horace Silver, and vocalist Anita O'Day, absorbing and contributing to the language of bebop, modal jazz, and contemporary improvisation.

As an educator, Diorio has shaped generations of jazz musicians through faculty positions at the Musician's Institute in Los Angeles, the University of Miami, and the University of Southern California. His seminars across the United States, Europe, and Brazil have earned him recognition as a master teacher of improvisation and jazz fundamentals.

Why we love this

Joe distills four decades of working alongside jazz greats into a teaching approach that treats improvisation as a learnable craft, not mystical intuition. His focus on motific development and systematic exploration of chord changes gives guitarists concrete tools to build their own voice rather than chase patterns. Watching a master of this caliber think through solo construction in real time is an education that transcends any transcription.

What to expect

A master class in real time, where Joe moves fluidly between explanation and demonstration, showing you not just what he plays but how he thinks. You hear the logic underneath the improvisation: the way motifs develop, how chord substitutions create tension and resolution, and why certain note choices land with authority. There's a generosity to his teaching; he isn't protecting secrets but inviting you into the decision-making process.

Who it's for

Intermediate to advanced jazz guitarists ready to move beyond transcription and develop their own improvisational voice. This DVD demands active study and a working knowledge of jazz standards and chord changes; it rewards musicians willing to slow down the footage, practice each concept methodically, and apply what they learn to their own playing.

How to get the most out of it

  • Study the II-V-I progressions in isolation before integrating them into standard tunes. Joe's patterns become muscle memory only through focused, repetitive work.
  • Apply the motif-building techniques to a single tune over several weeks rather than jumping between pieces. Constraint builds creativity.
  • Use the chord vocabulary expansions as starting points for your own exploration, not as the final answer. Joe's system teaches method; your ear decides which colors serve the music.
  • Record yourself playing through the demonstrated concepts, then listen back critically. Self-assessment accelerates growth in ways passive viewing cannot.

How to use it

This works best as a focused study resource for serious jazz students over several weeks or months, rather than a one-time viewing. Pair it with transcription work and small-group jazz coaching to deepen what Joe demonstrates. For ensemble directors, it provides context and inspiration when students ask how to approach jazz standards with sophistication.

Skills your students will build

  • Composing and developing motifs within solo improvisation
  • Understanding and applying II-V-I progressions in major and minor keys
  • Expanding chord vocabulary with contemporary and substitute changes
  • Building solo architecture with structural clarity and intention
  • Transcribing and analyzing jazz language from a master player

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