Jinglelin' All the Way!: 2-Part Choral Octavo
Words and music by Greg Gilpin
Level: Moderate
Item: 00-PO-0005362
Minimum order quantity: 20 copies
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More about this title
About the Composer: Greg Gilpin

Greg Gilpin stands at the intersection of choral artistry and broader creative practice. As an ASCAP-recognized composer and conductor, he has led ensembles at Carnegie Hall, Lincoln Center, and the Sydney Opera House, while also serving as Director of Educational Choral Publications for Shawnee Press. Beyond the concert hall, Gilpin has expanded his expertise into film scoring and professional organizing, bringing the same attention to detail and clarity of vision to every project he undertakes.
Gilpin's work spans composition, arrangement, conducting, and music production across international venues and platforms including network television. He holds active membership in ACDA, NAfME, and Phi Mu Alpha Sinfonia, and continues to balance his roles as educator, artist, and organizer as the music world moves forward.
Why we love this
Gilpin writes holiday music that cuts through the seasonal noise. The driving rhythms and straightforward voice parts make this work accessible for younger or less experienced choirs without sacrificing musicality, and the memorable tune will stick with audiences long after the concert ends.
What to expect
Jinglelin' All the Way bounces with infectious energy and straightforward charm. The piece feels celebratory without being saccharine, driven by rhythms that propel the text forward with genuine momentum and a melodic hook that singers will find satisfying to perform.
Who it's for
This octavo works beautifully for middle school or early high school choirs, or for any ensemble seeking a solid holiday offering that doesn't require advanced vocal technique or reading skills. The moderate difficulty level sits comfortably between beginner and advanced, making it ideal for developing singers who need engaging, contemporary holiday material.
How to get the most out of it
- Emphasize the rhythmic precision in both parts; the propulsive groove is the piece's greatest asset, so lock the steady pulse with clarity from your first rehearsal.
- Keep vowel sounds consistent between the two voice parts, especially during unison passages, to create blend without drowning either line.
- The recorded accompaniment provides an excellent reference for pacing and articulation; use it early to establish the intended energy and style.
- Consider adding the available instrumental parts if your ensemble includes percussion or other players; rhythm instruments will reinforce that driving quality.
How to use it
This piece sits perfectly in a holiday concert program as a crowd-pleasing centerpiece or as a transition between more formal selections. Its contemporary approach and rhythmic vitality offer a refreshing alternative to traditional carols, making it an excellent complement to both classical and popular holiday repertoire.
Skills your students will build
- Rhythmic precision and ensemble timing
- Part independence in 2-part textures
- Clear diction at a moving tempo
- Balance between two vocal lines