Jingle Bells Rock! (A Medley): 2nd Trombone Sheet Music Preview

Jingle Bells Rock! (A Medley): 2nd Trombone: Choral SoundPax

Featuring: Jingle Bells / Jingle Bell Rock

Jingle Bells - Words and music by James Pierpont, Jingle Bell Rock - Words and music by Joe Beal and Jim Boothe / arr. Sally K. Albrecht

Item: 00-PC-0015693_TN2

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Description
This surefire holiday hit intertwines "Jingle Bells" and "Jingle Bell Rock" in an energetic rock and roll mini-medley. It's a kick from beginning to end! Featured on the "Hooray for Hollywood!" movement DVD #28868.Includes parts for alto sax., tenor sax., baritone sax., 3 trumpet, 2 trombone, rhythm, sleigh bells, and percussion.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jingle Bells Rock! (A Medley): 2nd Trombone: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 48
SKU: 00-PC-0015693_TN2
Instrumentation: SoundPax

More about this title

About the Composer: James Pierpont

James Pierpont (1822-1893) composed "Jingle Bells" in 1857 as "One Horse Open Sleigh," creating what would become one of the most recognizable melodies in American music. His gift for writing singable, memorable tunes made him a prolific composer of popular songs and parlor music during the 19th century, and his work continues to anchor holiday celebrations more than 150 years later.

Pierpont's influence on music education extends far beyond the holiday season. Educators have long valued his melodic clarity and accessibility when teaching young singers about structure, harmony, and the elements that make a song endure. "Jingle Bells" itself has become a teaching tool across genres, from classical arrangements to the rock and roll interpretation found in this medley.

Why we love this

This medley captures the irreverent energy of rock and roll while keeping one of America's most beloved melodies front and center. Sally K. Albrecht's arrangement injects genuine attitude into the familiar tune, complete with instrumental parts that let your band and singers drive the momentum together. It's the kind of piece that reminds audiences why holiday concerts matter: pure fun.

What to expect

From the opening downbeat, this piece radiates holiday swagger. The familiar shape of "Jingle Bells" gets a rhythmic kick that turns nostalgia into celebration, complete with the shimmer of sleigh bells and the drive of a backbeat. It's the sound of a holiday party that actually has energy.

Who it's for

This medley works for mixed choirs of any age that can handle rock and roll style with ensemble precision. It pairs well with school choirs that have access to a jazz or instrumental ensemble, since the full impact requires both voices and the written band parts. Solo singers or smaller vocal groups would need a pre-recorded accompaniment.

How to get the most out of it

  • Lock the rhythm section (drums, bass, rhythm) early in rehearsal so the rock groove sits solidly. The energy of this piece depends on groove confidence, not just tempo.
  • Balance the saxophones and trumpets carefully during the band hits. They should punch through without burying the choir; mark dynamics in the parts if needed.
  • Separate your choir and band sectionals initially, then layer them together once each group is secure. The intertwining of parts requires precision from both ensembles.
  • Rehearse the choreography or staging movements alongside the music from the start. Movement and staging are built into this arrangement, and they'll reinforce the rock attitude you're building.

How to use it

Program this as the closing number or a major highlight of your winter concert when you want to send the audience out energized and smiling. It works especially well as a bridge between more traditional holiday repertoire and contemporary favorites, signaling to the audience that the concert has permission to be playful. The included movement and staging mean you can also slot it into a themed revue or variety show context.

Skills your students will build

  • Rock and roll rhythmic groove and ensemble swing
  • Balancing vocal and instrumental parts in a mixed ensemble
  • Reading and executing choreography synchronized with music
  • Dynamic control when performing over a steady backbeat
  • Stylistic distinction between legit singing and contemporary vocal placement

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