Jingle Bells Cover Image

Jingle Bells: Choral SoundPax

$60.00 USD
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Jingle Bells Cover Image

Jingle Bells: Choral SoundPax

As Recorded by Barbra Streisand

Words and music by James Pierpont / arr. Jack Gold and Marty Paich, choral setting by Mark Hayes

Item: 00-39906

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Description
From Barbra Streisand's Quintuple Platinum A Christmas Album, this holiday favorite really sparkles in a new choral adaptation by Mark Hayes.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 152
UPC: 038081445670
SKU: 00-39906
Instrumentation: SoundPax

More about this title

About the Composer: James Pierpont

James Pierpont composed "Jingle Bells" in 1857, originally titling it "One Horse Open Sleigh." The piece became one of America's most recognizable melodies, enduring through countless arrangements and adaptations across more than 160 years. Pierpont's gift for crafting singable, memorable lines made this simple tune a foundation for holiday music education and performance.

In the classroom and rehearsal hall, "Jingle Bells" serves as an accessible entry point to seasonal programming. Its straightforward melodic contour and rhythmic clarity have made it a staple for singers of all levels, from elementary ensembles to advanced choirs exploring fresh interpretations of familiar material.

Why we love this

Mark Hayes's choral adaptation captures the sparkle Streisand brought to her iconic recording while remaining singable for school and community choirs. The arrangement balances sophistication with accessibility, so your singers get to inhabit a contemporary take on a classic rather than recycling a tired standard. With instrumental parts available and recorded accompaniment on hand, setup and rehearsal prep are straightforward.

What to expect

Sparkly and bright but never saccharine, this arrangement carries genuine warmth and humor. The melody bounces with kinetic energy while the harmonies around it add sophistication, creating a piece that feels like a celebration among friends rather than a performance obligation.

Who it's for

Choirs of all levels benefit from this version, particularly ensembles seeking contemporary holiday material that feels fresh without sacrificing singability. Directors programming winter concerts will find this works equally well as a set opener or a lighter moment between more substantial pieces.

How to get the most out of it

  • Lean into the rhythmic precision that makes this feel polished rather than precious. The lilt comes from crisp articulation and clear consonants, not from rushing or dragging the line.
  • Use the recorded accompaniment in early rehearsals to lock the groove, then gradually move toward singing without it so the ensemble builds ownership of the arrangement.
  • Balance blend with clarity in the harmony parts. Hayes likely writes active countermotion, so each voice needs enough projection to define the voicing without drowning out the melody.
  • Find the conversational warmth underneath the sparkle. This isn't a novelty number performed with winks; it's a genuine celebration that happens to have personality.

How to use it

Open your winter concert with this to set a joyful, accessible tone that welcomes your audience immediately. It pairs well in a medley of secular holiday standards or can stand alone as a crowd-pleaser between more contemplative selections. The recorded accompaniment option also makes it viable for full concert rehearsals when instrumental accompaniment isn't possible.

Skills your students will build

  • Balancing melody with active harmonic movement
  • Rhythmic accuracy in syncopated passages
  • Blend and balance in four-part voicing
  • Diction clarity in rapid text setting
  • Interpretation of arrangement style cues (sparkle, energy, warmth)

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