Jingle-Bell Rock Cover Image

Jingle-Bell Rock: 3-Part Mixed Choral Octavo

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Jingle-Bell Rock Cover Image

Jingle-Bell Rock: 3-Part Mixed Choral Octavo

Words and music by Joe Beal and Jim Boothe / arr. Teena Chinn

Level: Moderate

Item: 00-CHM01077

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Description
This classic pop holiday favorite finds its way into our hearts every holiday season. Teena captures the essence of the song and scores a superb choral setting for choirs of all levels.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jingle-Bell Rock: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 654979992929
SKU: 00-CHM01077

More about this title

About the Composer: Joe Beal

Joe Beal co-wrote "Jingle-Bell Rock" with Jim Boothe in 1958, creating one of the most enduring pop holiday standards. The song has been recorded countless times across genres and generations, cementing its place in popular culture and music education curricula.

Why we love this

Teena Chinn's arrangement captures the infectious energy of the original while keeping the voicing accessible for middle-level choirs. The 3-part mixed setting works beautifully for groups with developing singers, and the pop sensibility gives holiday concerts a contemporary groove alongside more traditional selections.

What to expect

Bright, playful, and thoroughly festive. The arrangement channels the original's rock-and-roll swagger into a choral setting that feels modern and energetic rather than precious or overly formal. Singers experience the joy of performing a pop standard that audiences genuinely love.

Who it's for

Middle school and high school choirs seeking a crowd-pleasing holiday piece that doesn't require advanced musicianship. Community choirs and younger high school ensembles also find this setting rewarding because it balances accessibility with genuine musical substance.

How to get the most out of it

  • Lock in the rhythmic groove early in rehearsal. This arrangement thrives on a steady pulse and crisp articulation of the rock-and-roll feel.
  • Balance the parts so the melody remains clear while the supporting voices provide rhythmic drive. SAB voicing means the alto line carries important harmonic content.
  • Use the recorded accompaniment to help singers internalize the groove and tempo, especially if your ensemble is less experienced with pop-style phrasing.
  • Keep the energy lifted throughout. Resist the urge to drag, and encourage singers to connect with the fun, celebratory character of the song.

How to use it

Program this as a palate cleanser in a holiday concert dominated by classical carols and sacred selections. It pairs especially well with other secular holiday pops to create a cohesive second half or separate set that showcases your choir's range and contemporary repertoire.

Skills your students will build

  • Rock-and-roll rhythmic precision (steady eighth-note grooves and syncopation)
  • Pop-style phrasing and articulation
  • Part independence in a 3-part mixed voicing
  • Blend and balance in SAB texture
  • Energy and expression in a secular, contemporary style

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