Jingle Bell Jukebox Cover Image

Jingle Bell Jukebox: Teacher's Handbook & Online PDF/Audio

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Jingle Bell Jukebox Cover Image

Jingle Bell Jukebox: Teacher's Handbook & Online PDF/Audio

A Presentation of Holiday Hits Arranged for 2-Part Voices

Arr. Sally K. Albrecht, Jay Althouse, Andy Beck, Jeff Funk, Jill Gallina, and Greg Gilpin, with an optional script by Andy Beck and Brian Fisher

Grade: 3--8

Item: 00-34713

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Description
Wanna get in the Christmas spirit? Do what all the kids do: sing and dance with the holiday hits featured on our fabulous Jingle Bell Jukebox! Perform these kickin' 2-part arrangements of popular seasonal tunes individually, as a concert set, or as a simply staged 35-minute musical (using the optional soda-shop-setting script). Contains nine reproducible songs with complete choreography! Recommended for grades 3--8.
Titles: Jingle Bell Jukebox * Frosty Hand Jive * It's the Most Wonderful Time of the Year * Jingle Bells Rock! * Let It Snow! Let It Snow! Let It Snow! * You're a Mean One, Mr. Grinch * Sleigh Ride * Santa's On His Way Medley * Comin' Up Christmas Time.

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Additional Details
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-6949-7
ISBN13: 978-0-7390-6949-3
UPC: 038081384412
SKU: 00-34713

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has spent over three decades shaping choral music for young singers, first as Director of School Choral, Vocal, and Elementary Publications at major educational publishers, then as a sought-after clinician and conductor. Her catalog includes more than 600 choral works and 75 full-length songbooks and musicals, with annual ASCAP Special Music Awards recognizing her prolific contributions since 1987. She has led honor choirs at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. A native of Cleveland, she is particularly renowned for her expertise in choral movement and staging. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

This handbook delivers exactly what middle-grade choirs crave: high-energy, recognizable holiday hits that feel fresh and performance-ready with built-in choreography. The flexibility to program songs individually, as a concert set, or as a full staged musical means you can scale this to your ensemble's interests and time frame. Having nine reproducible songs plus a complete soda-shop script removes the guesswork from staging and saves rehearsal time that would otherwise go toward blocking and staging decisions.

What to expect

Joyful, playful, and unapologetically fun. These arrangements capture the infectious energy of familiar holiday songs while the built-in choreography turns singing into a full-body celebration. There's a theatrical spark here: the soda-shop setting and coordinated movement transform a holiday concert into something kids genuinely want to perform and audiences genuinely want to watch.

Who it's for

Elementary and middle school choir directors (grades 3–8) who want concert-ready holiday repertoire with choreography already mapped out. This works equally well for general music classes seeking a full-ensemble performance project or choirs hunting for a staged musical that doesn't demand weeks of script development.

How to get the most out of it

  • Teach the choreography in small sections alongside the vocal lines. Break the staging into 8-16 bar chunks so students aren't dividing their focus between learning music and movement simultaneously.
  • Use the recorded accompaniment during early rehearsals to lock ensemble confidence. Once your singers own their parts, rehearse a cappella and with accompaniment alternately so they stay independent.
  • Stage run-throughs work best mid-week, not just before performance. This lets students reset movement muscle memory between vocal-only rehearsals and full dress runs.
  • Assign consistent part sections during blocking rehearsals. Knowing their spatial relationships helps 2-part groups maintain blend while executing choreography.

How to use it

Stage this as your winter concert anchor (the full 35-minute musical) or cherry-pick individual songs for a December assembly, holiday fund-raiser, or spring program that needs a festive lift. The reproducible format also makes it ideal for community performances, retirement home visits, or school-wide sing-alongs where multiple classes rotate through the repertoire.

Skills your students will build

  • Singing in two-part harmony with consistent blend and intonation
  • Coordinating choreography with vocal performance (body awareness and timing)
  • Memorizing song texts and melodic lines within a concert timeline
  • Performing as an ensemble member under staging constraints
  • Interpreting character and energy in a staged choral setting

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