Jingle Bell Boogie: F Horn (Alternate Part) Sheet Music Preview

Jingle Bell Boogie: F Horn (Alternate Part)

Arranged by Bryan Kidd

Grade: 2.5

Item: 98-PC-DJE4107_ALTH

Digital Download
$7.00
Description
This screamin' arrangement features a blending of an eight-to-the-bar boogie woogie and Rumba in a classic big band setting. The saxes take the melody with some gritty plunger work in the brass to really give this chart some character. A hot tenor sax solo is followed by a swingin' shout chorus that is sure to bring down the house! The showtime-style ending makes this the perfect chart to close your holiday concert. This one is hot!

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Additional Details
Series: FJH Developing Jazz Ensemble
Publisher: The FJH Music Company, Inc.
SKU: 98-PC-DJE4107_ALTH

More about this title

Why we love this

Bryan Kidd captures the irreverent energy of big band jazz while keeping the chart accessible for developing ensembles. The arrangement balances showmanship with genuine musical substance, giving every section a moment to shine without overcomplicating voicings or rhythmic demands.

What to expect

Jingle Bell Boogie swings hard with the infectious groove of a 1940s dance floor and the rhythmic sophistication of Latin jazz. Gritty brass punctuations, sassy saxophone lines, and that unstoppable eight-to-the-bar pulse create a contagious energy that commands attention from the opening note through the final shout.

Who it's for

Jazz ensemble directors working with developing players who want a genuine crowd-pleaser that doesn't sacrifice musicianship. This arrangement proves that Grade 2.5 ensembles can deliver professional-sounding jazz with attitude and style.

How to get the most out of it

  • Lock the rhythm section (piano, bass, drums) into a tight eight-to-the-bar pulse before layering in the horns; the boogie woogie foundation makes or breaks the groove.
  • Balance the plunger brass work in the background so it colors without drowning the saxophone melody; dynamic restraint here makes the effect land harder.
  • Give the tenor soloist room to breathe and swing freely over the form, then tighten back into the ensemble for the shout chorus.
  • Hit the showtime-style ending with precision and commitment; this is your moment to send the audience out on a high note.

How to use it

Close your holiday concert with this one. The festive melody is instantly recognizable, but the jazz treatment feels fresh and energetic enough to leave your audience grinning. It works equally well as a finale or as an encore that celebrates your ensemble's jazz chops.

Skills your students will build

  • Comping and maintaining eight-to-the-bar boogie woogie patterns
  • Reading and executing plunger technique markings in brass
  • Trading solo passages while maintaining ensemble groove
  • Balancing melodic foreground with rhythmic accompaniment figures
  • Executing shout chorus phrasing with unified articulation and dynamics

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