Jingle Band!: Concert Band Conductor Score & Parts
By James Pierpont / arr. Michael Story
Grade: 2 (Easy)
Item: 00-PK-0006290
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| Product | Price | Quantity |
|---|---|---|
| Jingle Band!: Score | $9.00 | |
| Jingle Band!: Flute | $3.00 | |
| Jingle Band!: Oboe | $3.00 | |
| Jingle Band!: Bassoon | $3.00 | |
| Jingle Band!: 1st B-flat Clarinet | $3.00 | |
| Jingle Band!: 2nd B-flat Clarinet | $3.00 | |
| Jingle Band!: B-flat Bass Clarinet | $3.00 | |
| Jingle Band!: E-flat Alto Saxophone | $3.00 | |
| Jingle Band!: B-flat Tenor Saxophone | $3.00 | |
| Jingle Band!: E-flat Baritone Saxophone | $3.00 | |
| Jingle Band!: 1st B-flat Trumpet | $3.00 | |
| Jingle Band!: 2nd B-flat Trumpet | $3.00 | |
| Jingle Band!: 1st F Horn | $3.00 | |
| Jingle Band!: 1st Trombone | $3.00 | |
| Jingle Band!: Baritone T.C. | $3.00 | |
| Jingle Band!: Baritone B.C. | $3.00 | |
| Jingle Band!: Tuba | $3.00 | |
| Jingle Band!: Mallets | $3.00 | |
| Jingle Band!: 1st Percussion | $3.00 | |
| Jingle Band!: 2nd Percussion | $3.00 | |
| Jingle Band!: 3rd Percussion | $3.00 |
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Description
Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jingle Band!: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.
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More about this title
About the Composer: James Pierpont
James Pierpont (1822-1893) composed "Jingle Bells" in 1857, originally titled "One Horse Open Sleigh." The song has become synonymous with Christmas celebrations worldwide, making Pierpont's melody one of the most recognizable in American music. His ability to craft a tune that endures across generations and generations of arrangements speaks to the fundamental musicality embedded in his original composition.
Pierpont worked as a composer and music teacher during the 19th century, contributing songs and instrumental pieces to the American musical landscape. His most famous work has transcended its era to become a staple in holiday programming, concert halls, and educational settings, offering arrangers like Michael Story rich material for creative reimagining.
Why we love this
Michael Story's arrangement takes a familiar melody and injects genuine musicianship without talking down to young players. The emphasis on marcato articulation turns a technical skill into a musical feature rather than an exercise, and the colorful percussion scoring gives the entire ensemble genuine ownership of the piece. Your band will leave rehearsal proud rather than relieved.
What to expect
Energetic and bright, with moments of playful humor woven through the familiar melody. The added percussion colors create a festive soundscape that feels celebratory without losing sight of the band's core musical work.
Who it's for
Concert bands at the Grade 2 level will find this accessible without feeling patronizing. Student musicians gain practical experience with articulation and rhythmic clarity while performing a recognizable tune that audiences genuinely enjoy hearing.
How to get the most out of it
- Shape the marcato accents with consistent note length and clear articulation across the entire ensemble; the humor and energy depend on unified precision rather than heavy-handed attack.
- Assign a student conductor or section leader to watch the percussion during rehearsal so they understand when their colorful sounds land relative to the band's rhythmic foundation.
- Build the dynamic shape gradually through repetitions rather than jumping to full volume immediately; the crowd-pleasing effect lands harder when you have dynamic room to grow.
How to use it
Save this for your winter concert's closing spot or an encore where you want the audience to leave smiling. It works equally well as a warm-up or teaching tool earlier in the season when students are building fundamental skills; the marcato work and clear melodic writing make it valuable for demonstrating articulation concepts.
Skills your students will build
- Marcato articulation and note separation
- Dynamic control across full ensemble
- Ensemble balance with active percussion parts
- Rhythmic precision in a straightforward meter
- Concert etiquette and audience connection