Jeunesse Cover Image

Jeunesse: String Orchestra Conductor Score

$7.00 USD
Sale price  $7.00 USD Regular price 
Skip to product information
Jeunesse Cover Image

Jeunesse: String Orchestra Conductor Score

By Shirl Jae Atwell

Grade: 3

Item: 00-38476S

$7.00
Shipped

One moment…

Description
Jeunesse is a French word used to describe "the time of one's youth," which is reflected in this music that is carefree, yet bittersweet. This lovely piece has a lilting quality that demands attention be paid to the legato markings, the equality between the voices, and the rhythmic pulse that moves the piece forward. Make sure not to lose the poignancy by playing the piece too fast or too slow. Let the music have control.

Jeunesse: String Orchestra Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
Page Count: 8
UPC: 038081431604
SKU: 00-38476S

More about this title

About the Composer: Shirl Jae Atwell

Shirl Jae Atwell

Shirl Jae Atwell studied composition at the University of Louisville and later completed advanced work at the University of South Carolina. Her catalog spans multiple genres, from orchestral suites to ballet scores, with particular recognition in the string orchestra repertoire.

Atwell's work has earned significant accolades, including the 1996 National School Orchestra Association composition contest and the 1997 Texas Orchestra Directors Association award. Her ballet Lucy, created in collaboration with choreographer Alun Jones, premiered with the Louisville Ballet and received an Emmy Award for its televised production. Her scores are held in the permanent collection of the Paris Bibliothèque Internationale de Musique Contemporaine.

Why we love this

Atwell captures something genuine here: the bittersweetness of looking back on youth without making it maudlin or heavy-handed. The writing sits naturally under the fingers across all voices, and the piece rewards ensembles that commit to the legato and attend to balance rather than those chasing speed. It reads as mature musical thinking at a grade 3 difficulty level.

What to expect

Jeunesse feels reflective without being sad. The melodic lines have a gentle lift, a walking-pace quality that lets you linger in moments of beauty while acknowledging that youth slips away. There's an unpretentious grace to it, the kind that settles into a room rather than announcing itself.

Who it's for

Grade 3 string orchestras preparing repertoire for concert or contest performance. The piece works equally well for middle school ensembles building interpretive depth and for high school groups seeking elegant, meaningful music that doesn't rely on technical fireworks.

How to get the most out of it

  • Shape the legato markings with real intention; they're not decorative but structural to how the music breathes.
  • Resist the urge to push tempo. The lilting quality emerges from relaxation and space, not momentum.
  • Balance the voices carefully throughout so that no single line dominates the texture. The poignancy depends on that equality.
  • Let the rhythmic pulse support the melody without becoming mechanical. Think of it as the heartbeat that carries the emotional arc.

How to use it

Place this as a standalone concert opener or as part of a thematic program exploring memory, time, or personal reflection. At eight pages, it pairs well with a contrasting piece of similar length, allowing the ensemble to show range within a single rehearsal segment.

Skills your students will build

  • Maintaining consistent legato across multiple measures
  • Balancing independent voices within a homophonic texture
  • Controlling tempo flexibility while preserving steady pulse
  • Shaping phrase contours with subtle dynamic inflection
  • Reading and responding to expressive markings as structural rather than decorative elements

You May Also Like