Jet Set Cover Image

Jet Set: SATB Choral Octavo

$2.10 USD
Sale price  $2.10 USD Regular price 
Skip to product information
Jet Set Cover Image

Jet Set: SATB Choral Octavo

From the Musical Catch Me If You Can

Music by Marc Shaiman, lyrics by Scott Wittman and Marc Shaiman / arr. Eric Van Cleave

Item: 00-39977

makemusic Cloud badge
$2.10
Shipped

One moment…

Description
Pack your bags and your sense of adventure as you travel the world in this kickin' arrangement! Tight harmonies and hot horns top off this perfect show choir selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jet Set: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081446370
SKU: 00-39977

More about this title

About the Composer: Marc Shaiman

Marc Shaiman has built a celebrated career as a composer and orchestrator across Broadway, film, and television. His work spans beloved shows including Hairspray, Smash, and The Addams Family, alongside film scores for movies like When Harry Met Sally and South Park: Bigger, Longer & Uncut. Shaiman's gift for crafting instantly memorable melodies and infectious rhythmic hooks makes his music particularly engaging for choral and pop music arrangements.

Why we love this

This arrangement captures everything that makes show choir repertoire tick: a contemporary energy, singable yet sophisticated harmonies, and the theatrical flair that keeps audiences engaged. Eric Van Cleave's writing balances accessibility with genuine harmonic interest, so your singers stay challenged without getting lost in the voicing. The addition of instrumental parts transforms a solid choral piece into a full production number.

What to expect

Energetic and cosmopolitan, with the kind of infectious momentum that makes you want to move. The piece radiates optimism and excitement, driven by the percussive elements and syncopated rhythms that give it its contemporary edge. There's a sophisticated polish here despite the accessible sound, making it feel both fun and artfully crafted.

Who it's for

Choirs seeking contemporary, concert-ready repertoire that connects with modern audiences and works equally well in show choir contexts. This octavo fits intermediate to advanced SATB ensembles with secure intonation and rhythmic independence. Directors programming pop-influenced literature alongside more traditional choral fare will find this a natural fit.

How to get the most out of it

  • Lock the rhythm section (bass and drums via the accompaniment track) early in rehearsal so the singers can sit solidly on the groove rather than fighting against it.
  • Balance the parts so the arrangement's harmonic movement stays clear; this piece relies on tight voicing, so intonation work pays immediate dividends.
  • Use the recorded accompaniment strategically during early rehearsals to establish the style and energy, then pull back in final rehearsals to let singers own the piece.
  • Mark the character shifts between sections; the arrangement likely has distinct moments that will land best with intentional dynamic and interpretive choices from your singers.

How to use it

Program this as a centerpiece for a pop or contemporary choral set, or use it to open a concert with immediate energy and audience appeal. It works especially well in show choir competitions and festival contexts where the theatrical nature of the piece can shine. The optional instrumental parts elevate it from octavo to small ensemble feature if your program includes musicians who can fill those roles.

Skills your students will build

  • Singing contemporary pop and show music idioms
  • Reading and executing syncopated rhythms in SATB texture
  • Balancing parts to maintain harmonic clarity in close voicing
  • Interpreting style markings and dynamic shaping in arranged material
  • Rhythmic coordination with accompaniment and optional instrumental parts

You May Also Like