Jesus, Thank You (A Hymn Of Thanksgiving) (arr. David Angerman) Sheet Music Preview

Jesus, Thank You (A Hymn Of Thanksgiving) (arr. David Angerman): SATB Choral Octavo

Arranged by David Angerman

Item: 35-DS01691308

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01691308

More about this title

About the Arranger: David Angerman

David Angerman

David Angerman brings decades of church music expertise to his work as editor of the Organ and Handbell Music Division at Shawnee Press. His training spans multiple disciplines: he earned degrees in church music from Baylor University and studied organ performance at the University of Texas, giving him a comprehensive understanding of how sacred music functions across different worship contexts and instrumental settings.

As Minister of Music at Bethany Lutheran Church in Austin, Angerman applies his theoretical knowledge and practical experience directly in the church. His professional involvement with TCDA, AGEHR, AGO, Choristers Guild, and the Association of Lutheran Worship Leaders reflects his commitment to advancing sacred music education and practice within both denominational and ecumenical communities.

Why we love this

Angerman's arrangement respects the hymn's essential character while opening it up for full four-part choir writing. The six pages allow for genuine harmonic development and textural variety that elevates a straightforward hymn tune into something worth rehearsing with serious attention to blend and balance.

What to expect

The piece radiates gratitude with warmth and directness. Angerman's harmonies feel both familiar and enriched, creating that distinctive quality of a hymn that sounds natural to singers while offering enough compositional detail to keep listeners genuinely engaged.

Who it's for

This arrangement works for church choirs and sacred music programs seeking a Thanksgiving anthem with substance beyond a simple congregational hymn. SATB choirs at intermediate to advanced levels will find plenty of musical material to work with across six pages.

How to get the most out of it

  • Shape each phrase toward its natural peak rather than treating all four lines equally; let the harmonic content guide where the fullest sound should land
  • Attend to the relationship between parts in passages where the arrangement moves beyond block harmony; inner voices often carry expressive weight
  • Balance organ or accompaniment carefully so it supports without overwhelming the singers, especially important in a hymn arrangement where clarity matters

How to use it

Position this in a November or Thanksgiving service where you want something substantial enough to anchor the program's spiritual intention without requiring extended rehearsal time. It also pairs well in fall concert programs that blend congregational hymnody with more developed choral works.

Skills your students will build

  • Sustaining long phrases with breath management across all four parts
  • Singing with tonal consistency in hymn-style writing that emphasizes blend over soloistic expression
  • Understanding harmonic function within traditional sacred music structures
  • Balancing accompaniment-dependent singing with ensemble independence

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