Jesus, Son Of God Sheet Music Preview

Jesus, Son Of God: Choral Instrumental Pak

As performed by Passion / As performed by Chris Tomlin / Arranged by Richard Kingsmore

Item: 35-PK00251983

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Description
Featuring a soloist, Richard Kingsmore's setting of this modern song is an affirmation of praise to the Savior. Duration: ca. 6:00.

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00251983

More about this title

About the Artist: Passion

Passion is a modern worship collective known for creating music that combines accessible melodies with theological depth. Their songs have become staples in contemporary Christian worship settings, reaching audiences across denominations and performance contexts.

Why we love this

Kingsmore's arrangement preserves the emotional core of this modern hymn while giving it orchestral grandeur that works beautifully in concert settings. The featured soloist creates a natural focal point, allowing your ensemble to support rather than carry the entire musical weight. This is exactly what you need when you want contemporary worship music that doesn't feel lightweight in a formal performance.

What to expect

A moment of intimate conviction that gradually expands into corporate affirmation. Kingsmore's writing creates space for reflection before building toward a fuller, more assured conclusion. The overall character is contemplative yet confident, never overwrought.

Who it's for

Choirs preparing Easter services or spring concerts who want accessible modern repertoire with orchestral color. This works equally well for worship settings seeking concert-quality arrangements or concert programs looking to include contemporary sacred music.

How to get the most out of it

  • Balance the soloist's vocal line by keeping the orchestral texture transparent during verses. This is not a moment for the accompaniment to compete.
  • Shape the progression toward the final affirmation; the piece builds its conviction gradually, so resist the urge to push dynamics too early.
  • Let the sustained harmonic language breathe. These chords often hold emotional weight, so give them space rather than rushing through transitions.
  • Consider where your soloist needs breath and support from the ensemble. Mark those moments in rehearsal to ensure the transition feels seamless rather than like a handoff.

How to use it

This arrangement sits naturally in an Easter concert, especially when paired with traditional hymns or other modern worship settings. At roughly six minutes, it can serve as a substantial closing number or as an anchor piece within a larger sacred music program.

Skills your students will build

  • Balancing solo and ensemble voices in supported textures
  • Sustaining harmonic language without rushing resolutions
  • Singing contemporary worship music with concert-appropriate expression
  • Responding to orchestral accompaniment in real time

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