Jesus Keeps Me Singing Sheet Music Preview

Jesus Keeps Me Singing: Choral Instrumental Pak

Arranged by Joseph M. Martin

Item: 35-PK00402334

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$75.00

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Description
This fantastic medley of four of our best-loved hymns features an eclectic range of styles. With a cappella singing, elements of barbershop harmony, gospel, tent revival and even grand waltz, this piece has something for everybody. A tour de force that's not to be missed! Songs include: "He Keeps Me Singing; Take the Name of Jesus with You; Jesus Is the Sweetest Name I Know; O How I Love Jesus."

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00402334

More about this title

About the Arranger: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin studied piano performance at Furman University and earned his master's degree from the University of Texas at Austin, where he later taught in the Piano Pedagogy Department for five years. His performance career has taken him across North America and Mexico, including a featured appearance with the Guadalajara Symphony Orchestra and a nationally broadcast recital. In recent years, Martin has channeled his considerable gifts toward church music and compositions for worship settings, establishing himself as one of the most prolific and inventive voices in sacred choral writing.

Based in Austin, Texas, Martin has created a catalog of arrangements and original works that balance accessibility with musical sophistication. His pieces appear in concert halls from Carnegie Hall to regional theaters, but his true home has become the American church, where his music serves hundreds of congregations and musicians' conferences annually.

Why we love this

Martin's arranging hand shines brightest when he's working with familiar hymn tunes, and this medley proves it. Four beloved texts get fresh orchestration and harmonic treatment across wildly different musical moods, from close-voiced barbershop voicing to gospel swing to waltz texture, keeping singers and audiences genuinely engaged throughout rather than letting nostalgia coast on its own.

What to expect

This medley captures the joy and spiritual richness that come from hearing beloved hymns reimagined through different musical lenses. You'll hear the gospel energy pulse through familiar melodies, feel the gentle sway of a grand waltz, experience the tight harmony of barbershop singing, and return to the purity of unaccompanied voices, creating a journey that feels both deeply rooted and refreshingly alive.

Who it's for

Choirs of mixed ability who want to engage congregations or audiences with familiar material can program this as a standalone feature or as the centerpiece of a hymn-based concert. It works equally well for worship services seeking elevated arrangements and for community or church choirs looking to expand their stylistic range without abandoning their core repertoire.

How to get the most out of it

  • Rehearse the a cappella section separately before adding instruments. Lock the tuning and blend first, then layer accompaniment gradually so the singers don't lose their intonation center.
  • The stylistic shifts (gospel to waltz to barbershop) need clear rehearsal demarcation. Mark these transitions explicitly in your parts and spend rehearsal time on the character change, not just the notes.
  • Balance the gospel swing section so the rhythm section sits underneath the melody line rather than competing for attention. This keeps the hymn tune recognizable even as the groove updates.

How to use it

Use this as the feature piece in a sacred concert built around American hymn traditions, pairing it with simpler hymn settings to frame it. Alternatively, program it during a season when your choir is exploring stylistic variety, since the medley format naturally teaches singers how to shift character and approach without learning entirely new material.

Skills your students will build

  • Singing sustained a cappella passages with secure intonation
  • Executing barbershop harmony voice leading and blend
  • Adapting phrasing and articulation across four different musical styles
  • Interpreting gospel swing rhythms and syncopation
  • Responding to conductor cues for dramatic style shifts within a single piece

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