Jericho: Jazz Ensemble Conductor Score & Parts

A spiritual journey reframed in swing time. The rubato introduction has a reverent, almost conversational quality between sax and piano, then unfolds into an easy, grooving middle section with strong ensemble moments. The familiar melody anchors everything, making it comfortable while the jazz language keeps it modern and engaging.

First-year jazz ensemble programs and directors seeking accessible, musically satisfying literature that won't overwhelm younger or less experienced players. This works equally well for ensembles with full instrumentation or those building toward it with optional parts.

• Shape the rubato opening with the saxophone and piano as a true duo. Let the sax breathe and phrase expressively rather than metronomically; the piano should follow and support, not drive.
• Lock the ride cymbal and bass player together once the swing feel enters. This groove carries the entire chart, so their connection matters more than note-perfect execution.
• Bring out the trombone section work in the middle sections. These voices have real melodic responsibility and deserve clarity in the mix.
• Treat the ending as a moment to showcase ensemble control. Whether you choose subtle or dramatic, the rubato closeout should feel intentional and together.

Program this early in the year to build ensemble confidence with a chart that sounds polished immediately. It also serves well on family or community concerts where audiences recognize the traditional melody but appreciate the fresh arrangement. The modest length (3:53) makes it ideal for pairing with other short pieces.

• Swing feel and groove sensitivity
• Rubato phrasing and expressive control
• Ensemble balance with trombone section work
• Reading and responding to jazz articulations and dynamics