Jazzin' About: Fun Pieces for Clarinet / Tenor Sax Cover Image

Jazzin' About: Fun Pieces for Clarinet / Tenor Sax: Clarinet and Piano Book

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Jazzin' About: Fun Pieces for Clarinet / Tenor Sax Cover Image

Jazzin' About: Fun Pieces for Clarinet / Tenor Sax: Clarinet and Piano Book

By Pam Wedgwood

Level: Elementary

Item: 12-0571512739

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Description
Cool syncopation, funky riffs and smooth, stylish tunes - from dynamic to nostalgic, Pam Wedgwood's series has it all. Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles, tailor-made for the absolute beginner (grade 0-2). So take a break from the classics and get into the groove as you cruise from blues, to rock, to jazz.

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Additional Details
Series: Faber Edition: Jazzin' About
Publisher: Faber Music
Page Count: 24
ISBN10: 0-571-51273-9
ISBN13: 978-0-571-51273-7
UPC: 9780571512737
SKU: 12-0571512739
Instrumentation: Clarinet and Piano

More about this title

About the Author: Pam Wedgwood

Pam Wedgwood is a prolific composer and arranger whose pedagogical output spans decades of music education. Her gift lies in writing accessible yet musically honest pieces that genuinely engage young musicians without condescension, a rare balance in elementary repertoire.

Wedgwood's work across multiple publishing houses demonstrates her deep understanding of what motivates beginner and early intermediate students. She structures her compositions to reward practice while building foundational musicianship, which is why her pieces appear consistently in studio and ensemble settings.

Why we love this

This collection opens an immediate pathway into contemporary idioms that students actually want to play. Rather than treating jazz and blues as afterthoughts to classical training, Wedgwood builds them as primary styles from the ground up, which means your clarinet students develop rhythmic confidence and stylistic awareness alongside standard technique.

What to expect

Energetic and unpretentious. These pieces swing with genuine personality; they have the kind of accessible groove that makes a young musician feel like they're playing something real, not a training exercise. Blues runs sit alongside playful rhythmic figures, creating a collection that feels both confident and inviting.

Who it's for

Elementary clarinetists and tenor saxophonists who are ready to move beyond classical etudes but still building fundamental technique. This works especially well for students who respond to contemporary music and need a stylistic bridge between concert band and jazz ensemble.

How to get the most out of it

  • Lock into the swing feel from the first phrase; even in the blues pieces, the offbeat articulation defines the groove, so mark your syncopation clearly at rehearsal to establish where the backbeat lives.
  • Work the recorded accompaniment or play through with a strong pianist early and often. These pieces breathe differently with rhythm support, and students need to hear the full harmonic context to nail the phrasing.
  • Pay attention to dynamics marked around the riffs and comping sections. The funk and rock tunes rely on dynamic contrast to feel authentic, not just on tempo.

How to use it

Slot these into a spring or pops concert where classical programming needs a refresh and energy boost. They also serve as ideal solo or small group contest pieces for elementary musicians who want to explore jazz without committing to a full jazz ensemble track.

Skills your students will build

  • Syncopation and swing rhythm feel
  • Blues scale and pentatonic scale application
  • Reading and interpreting jazz articulation markings
  • Dynamic shaping in short-form contemporary pieces
  • Coordination with piano accompaniment across multiple styles

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