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Jazz with the Greats: Woodwind - Mixed Ensemble Book

$13.99 USD
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Jazz with the Greats Cover Image

Jazz with the Greats: Woodwind - Mixed Ensemble Book

By Christopher Goddard

Item: 12-0571512798

$13.99
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Additional Details
Series: Faber Edition
Publisher: Faber Music
ISBN10: 0-571-51279-8
ISBN13: 978-0-571-51279-9
UPC: 9780571512799
SKU: 12-0571512798

More about this title

Why we love this

Goddard's arrangements respect the harmonic sophistication and rhythmic language of jazz while remaining accessible to intermediate ensemble players. The writing demonstrates strong understanding of woodwind sonorities, balancing tutti passages with strategic sectional moments that keep every voice engaged. These aren't simplified jazz standards; they're genuinely idiomatic reductions that work beautifully in a mixed woodwind setting.

What to expect

Sophisticated without pretension. These arrangements swing naturally, with moments of bluesy expressiveness that feel earned rather than imposed. The writing lets woodwind colors bloom, cool soprano sax lines, warm clarinet harmonies, playful flute ornaments, while the ensemble locks into grooves that feel contemporary and genuinely fun.

Who it's for

Intermediate to advanced woodwind ensembles ready to tackle jazz idiom in a coached ensemble setting. Works equally well for groups preparing for festival competition or developing students' comfort with swing rhythm and jazz articulation in a low-pressure environment.

How to get the most out of it

  • Establish a secure tempo before each piece during sectional rehearsals. Jazz time feel collapses quickly when the ensemble isn't unified on the underlying pulse.
  • Listen for the chord quality changes underneath written passages. Understanding whether you're sitting on a major 7th, dominant, or minor voicing makes your phrase length and note emphasis land with intention.
  • Balance clarinet and saxophone lines in melody sections. Woodwind doublings need to blend rather than compete; adjust dynamic balance in early rehearsals to find where all voices support rather than cloud the line.
  • Treat the rhythm section recording as a conversation partner, not a conductor. Leave space for the ensemble to breathe and react slightly to the recorded accompaniment's phrasing and dynamic shape.

How to use it

Build a full concert set from this collection for a dedicated jazz program, or select individual pieces as interludes alongside classical and contemporary repertoire to signal that your ensemble can move fluidly between genres. These arrangements also serve as excellent preparation for sight-reading at regional festivals where jazz has become a standard competitive category.

Skills your students will build

  • Swing articulation and rhythm feel in an ensemble setting
  • Reading and executing jazz chord symbols and harmonic substitutions
  • Balancing multiple melodic lines within woodwind-heavy voicings
  • Listening for sectional blend while maintaining individual voice clarity
  • Interpreting written jazz notation (syncopation, swing eighths, rhythmic interpretation)

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