Jazz Suite Sheet Music Preview

Jazz Suite: Piano

By Kevin Olson

Item: 98-DE1024

Digital Download
$7.50
Description
This one piano, four hand Jazz Suite is played out in four movements, exploring contrasting styles and keys, with fresh up-to-date sounds: A Swing Thing has an upbeat tempo, swing eights, walking bass, triplets and syncopation. A Little Latin is a more laid back style, with syncopation, accents, and somba rhythms. Ballad for Julia slows to a romantic mood, with 9th, 11th, and 13th chords used in the harmony. BlueWaltz rounds out the suite in a spunky, lively style, with syncopation and chromaticism.

Jazz Suite: Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: The FJH Piano Ensemble Series
Publisher: The FJH Music Company, Inc.
SKU: 98-DE1024

More about this title

Why we love this

Olson captures four distinct jazz idioms without sacrificing playability or musical substance. Each movement stands alone stylistically yet the suite coheres as a complete musical journey, making it equally strong for a concert closer or a showpiece that demonstrates range.

What to expect

A tour through four moods in contemporary jazz language, from upbeat swagger to intimate ballad warmth to playful rhythmic energy. The harmonic vocabulary (9th, 11th, and 13th chords alongside walking bass lines and chromatic motion) creates a sound that feels current and sophisticated without demanding classical virtuosity.

Who it's for

Advanced and early advanced pianists ready to explore jazz idioms together. This suite rewards duet partners who enjoy collaborative problem-solving and have developed enough technical security to focus on style, groove, and ensemble balance.

How to get the most out of it

  • Establish the swing feel in A Swing Thing by letting the accompanist lock into the walking bass pattern early; the rhythmic grid depends on this partnership more than on individual accuracy.
  • Balance sonority between primo and secondo hands in Ballad for Julia, where rich harmonic voicings can easily overwhelm the melody if the secondo player doesn't exercise restraint at softer dynamic levels.
  • Sync the syncopated rhythms in BlueWaltz by practicing those passages hands separately first, then meeting at half tempo before bringing the spunky character back to tempo.
  • Pay attention to accent placement in A Little Latin; the samba rhythms live in the space between strict pulse and rubato, so agreeing on where accents land prevents the two parts from pulling apart.

How to use it

Program the complete four-movement suite as a single item to showcase versatility and jazz literacy at a concert or student recital. Alternatively, extract Ballad for Julia as a standalone slower movement paired with contrasting repertoire, or lead with A Swing Thing to open a set with rhythmic momentum.

Skills your students will build

  • Swing eighth interpretation and feel
  • Walking bass patterns and their relationship to chordal harmony
  • Samba and Latin rhythmic patterns with syncopation
  • Playing jazz chord extensions (9th, 11th, 13th) with voice leading
  • Chromatic approaches and passing tones in jazz contexts
  • Ensemble synchronization in syncopated rhythms
  • Balancing melody and accompaniment across four-hand textures

You May Also Like