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Jazz Suite: 4 Clarinets in B-flat Conductor Score & Parts

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Jazz Suite Cover Image

Jazz Suite: 4 Clarinets in B-flat Conductor Score & Parts

For Clarinet Ensemble

By Gregory W. Yasinitsky

Item: 01-ADV8404

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Description
Die dreisätzige Suite beginnt mit einem leichten Swing. Der etwas ruhigere zweite Satz ist ein entspannter Blues. Die Suite endet mit einem lebhaften lateinamerikanischen Satz.

The three-movement suite begins with a slight swing. The slightly quieter second movement is in a relaxed blues style. The suite ends with a lively Latin American section.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095084047
SKU: 01-ADV8404
Instrumentation: 4 Clarinets in B-flat

More about this title

Why we love this

Yasinitsky has written a clarinet quartet that treats jazz idioms with genuine musical substance rather than novelty. The three-movement arc moves logically from swing energy through blues introspection to Latin vigor, giving young jazz ensembles a complete arc to develop rather than isolated vignettes.

What to expect

You move through three distinct moods: the opening swing has the relaxed confidence of a classic big band section, the blues middle slows into something contemplative and soulful, and the Latin finish bounces with infectious energy. The piece feels complete and intentional, never rushed or superficial.

Who it's for

Clarinet quartet ensembles ready to explore jazz beyond classical adaptations. Students need solid fundamentals in blending and intonation, plus comfort reading jazz articulation and phrasing conventions. This works well for intermediate to advanced high school quartets or college non-majors seeking accessible jazz repertoire.

How to get the most out of it

  • Establish the swing feel in the first movement by locking the rhythmic articulation across all four parts; clarity in the rhythm section writing depends on precise ensemble tuning of that pocket.
  • Balance the blues section carefully so the melody voice can sing without the supporting voices disappearing; dynamic restraint makes the second movement resonate.
  • Approach the Latin section with crisp articulation and locked ensemble rhythm; the rhythmic precision here drives the entire character of the finale.

How to use it

Program this as a standalone quartet feature on a jazz concert or chamber music recital. The three-movement shape and genre variety also make it useful as a bridge piece between classical and jazz segments in a mixed concert context.

Skills your students will build

  • Reading and performing swing articulation and phrasing in ensemble
  • Blues vocabulary and call-and-response techniques in a quartet texture
  • Latin rhythmic patterns and clave-based ensemble alignment
  • Dynamic balance and voice independence within a four-part clarinet texture
  • Intonation control across multiple voices in jazz voicings

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