Jazz Sebastian Bach: String Orchestra Conductor Score & Parts
Arranged by Caryn Wiegand Neidhold
Grade: 3.5
Item: 35-PK01513602
$55.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Jazz Sebastian Bach - Full Score | $6.00 | |
| Jazz Sebastian Bach - Violin 1 | $2.50 | |
| Jazz Sebastian Bach - Violin 2 | $2.50 | |
| Jazz Sebastian Bach - Viola | $2.50 | |
| Jazz Sebastian Bach - Cello | $2.50 | |
| Jazz Sebastian Bach - Bass | $2.50 |
Parts Added to Cart!
Description
Bach never sounded more cool or hip! The RONDEAU from ORCHESTRA SUITE No. 2 is transformed into a swinging chart with a walking bass line, including a written solo for all instruments and suggested notes for improvised solos. This arrangement transports students to a world where jazz and Baroque styles unite in perfect harmony.
Jazz Sebastian Bach: String Orchestra Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher:
Hal Leonard
SKU:
35-PK01513602
More about this title
About the Arranger: Caryn Wiegand Neidhold
Caryn Wiegand Neidhold brings a distinctive sensibility to orchestral arranging, with a particular gift for bridging musical worlds that seem miles apart on the surface. Her work demonstrates deep respect for source material while refusing to treat it as untouchable, making her arrangements valuable resources for directors seeking fresh angles on familiar masterworks.
Why we love this
This arrangement solves a real pedagogical challenge: introducing jazz vocabulary and swing rhythms to string players without abandoning the classical repertoire they know. The dual layer of written solos and improvisation suggestions meets students where they are, offering scaffolding while inviting risk-taking and personal expression.
What to expect
Sophisticated and playful all at once. Bach's elegant melodic architecture gets dressed up in blue notes and walking bass lines, creating something that feels both historically grounded and unmistakably modern. The effect is energizing rather than gimmicky, with genuine musical substance beneath the style shift.
Who it's for
String orchestras at the intermediate level who are ready to explore jazz language and swing feel without losing the classical literacy they've built. This works beautifully for programs that want to program both a Bach connection and contemporary jazz styling in the same concert.
How to get the most out of it
- Establish the walking bass line as the anchor before layering in the melody. Have your basses and cellos lock into that groove independently, then add the upper voices once that foundation is solid.
- Balance the written solos carefully so they sit above the accompaniment but don't overwhelm it. String players often underestimate how much projection a jazz line requires.
- Encourage improvising soloists to listen to the rhythm section and respond to its energy rather than play over it. This is collaborative music making, not a solo recital.
How to use it
Consider pairing this with a straight performance of the same Bach suite earlier in your season to highlight the arranging craft and stylistic flexibility of the same material. It also works as an excellent encore or finale when you want to send audiences out smiling.
Skills your students will build
- Reading and executing swing rhythms and jazz articulation in a string context
- Understanding walking bass lines and their harmonic function
- Improvisation within a harmonic framework with guided starting points
- Listening to and responding to rhythm section energy
- Cross-genre style application of classical repertoire