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Jazz Piano Voicings: Keyboard/Piano Book & Online Audio

$17.95 USD
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Jazz Piano Voicings Cover Image

Jazz Piano Voicings: Keyboard/Piano Book & Online Audio

Transcribed Piano Comping from Volume 64 Salsa Latin Jazz

By Mark LeVine

Level: Intermediate / Advanced

Item: 24-SLP

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Description
Complete piano transcription book from Volume 64: Salsa / Latin Jazz featuring Mark Levine. See how to play authentic Salsa / Latin voicings and figures from a widely recognized authority over the changes of "Sabor," "Linda Chicana," "Mambo Inn," "Afro Blue," "Manteca," "Piccadillo," "Curacao," and more!

Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder "what's he doing there?" Now you'll know! Here is an opportunity to see real jazz piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions, exactly as recorded, of the exciting piano accompaniment from the World Famous Aebersold play-along series. Not just for pianists, there are many ways for all musicians to use these wonderful musical tools:
Pianists: First, listen closely to the pianist on the respective play-along recording (sold separately). Next, reading from the book, play along with him, imitating his style. Finally, turn him off (using the special stereo separation on all of our albums) and play along by yourself with the bass and drums. With the techniques learned, you'll soon be improvising your own accompaniment!
Non-Pianists: Horn players, arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular play-along track. Written clearly for two hands, even the most novice pianist can play many sections of these books.

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Additional Details
Publisher: Jamey Aebersold Jazz
Page Count: 68
ISBN10: 1-56224-112-5
ISBN13: 978-1-56224-112-4
UPC: 635621500730
SKU: 24-SLP

More about this title

About the Arranger: Mark LeVine

Mark LeVine is a pianist and educator with deep expertise in jazz harmony and voicing. His transcription work with the Aebersold series has made authentic jazz piano practice accessible to generations of musicians, grounding his arrangements in the actual playing of jazz greats.

Why we love this

Your students finally get to see inside the piano part instead of just hearing it. The transcriptions capture exactly what the recorded pianists play, so learners can study real comping decisions over real changes, not simplified versions. This transforms passive listening into active study of how professionals actually voice and accompany in a Latin jazz context.

What to expect

Authentic, rhythmically alive, and grounded in real jazz tradition. The voicings shimmer with color and the comping sits perfectly in the pocket with the bass and drums, offering a masterclass in how to support other musicians while maintaining harmonic sophistication.

Who it's for

Pianists in the intermediate to advanced range who want to move beyond chord symbols and learn how professional players actually voice and accompany in salsa and Latin jazz. Horn players, arrangers, and singers will also find this invaluable as a reference for understanding the harmonic language and rhythmic figures that define the style.

How to get the most out of it

  • Listen to the original recording multiple times before looking at the page. Train your ear to recognize the voicing shapes and rhythmic patterns before you try to replicate them.
  • Start by playing the left hand alone to absorb the bass line and harmonic foundation, then layer in the right hand voicings once the foundation feels solid.
  • Use the online audio to isolate just the rhythm section, removing the piano to practice your own comping decisions over the same changes.
  • Study how the pianist voices each chord in different registers across the tune. Notice which voicings return and which ones shift based on the melodic or harmonic context.

How to use it

Assign this to jazz ensemble pianists who need to deepen their comping vocabulary before tackling original tunes, or use it as a resource for sectional study when your band is learning salsa and Latin jazz standards. Non-pianists can reference specific tracks when arranging or analyzing the harmonic choices that define the style.

Skills your students will build

  • Playing authentic Latin jazz voicings and comping patterns
  • Reading complex chord extensions and substitutions over salsa figures
  • Accompanying with rhythmic flexibility and pocket awareness
  • Transcribing and learning by ear from recorded performances
  • Adapting voicing shapes across different registers and harmonic contexts

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