Jazz Philharmonic: Second Set: Viola Book & CD

The Second Set answers a real need: beginning jazz studies require accessible material that doesn't insult the intelligence of young musicians while still respecting their technical limitations. Phillips and Sabien understand that string players approaching jazz for the first time need complete scaffolding, notated solos, backgrounds, bass lines, but also the freedom to improvise. The recorded accompaniment transforms solo practice into genuine interactive learning, not just playback.

Swinging, conversational, and genuinely playful. The Second Set brings the looseness and call-and-response energy of jazz into the string world without sacrificing musicianship or precision. You'll hear sophisticated harmonies and rhythmic sophistication beneath an accessible, inviting surface.

Intermediate to advanced high school string orchestras ready to expand beyond classical repertoire and explore jazz idiom with structure and support. This set works equally well for serious young musicians in private study who need guided exposure to jazz fundamentals and improvisation.

• Use the notated solos as a learning tool first; encourage students to internalize the language before attempting improvisation over the tracks
• Balance ensemble backgrounds with featured solo sections so students experience both collaborative and individual accountability
• Have students listen to the recordings multiple times outside of rehearsal to absorb phrasing, articulation, and swing feel before playing
• Layer difficulty by starting with melody and backgrounds, then introducing the written solos, and finally opening space for improvisation

Program one or two selections on a concert dedicated to eclectic styles, or use them as standalone set-openers to energize an audience before moving into classical works. The recorded accompaniments also make this material ideal for sectionals, private lessons, and virtual learning scenarios.

• Reading and executing swing articulation and phrasing in string context
• Understanding jazz harmonic language and chord changes
• Basic improvisation over chord progressions
• Listening and responding to ensemble backgrounds while maintaining musical independence
• Interpreting jazz notation and rhythmic figures specific to the style