Jazz Philharmonic Cover Image

Jazz Philharmonic: Viola Book & CD

$14.95 USD
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Jazz Philharmonic Cover Image

Jazz Philharmonic: Viola Book & CD

By Bob Phillips and Randy Sabien

Item: 00-26302

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Description
Jazz Philharmonic is a series of original jazz compositions offered in a carefully constructed pedagogical order. All of the tunes, backgrounds and solos are self-contained performance vehicles. Absolutely no improvisation is necessary for the successful use of this book! Development of some skill with improvisation will be a natural result of its use. The accompanying Compact Disc creates a great avenue for beginning improvisation as well as playing some great jazz tunes.

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Additional Details
Series: Philharmonic Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-4415-X
ISBN13: 978-0-7390-4415-5
UPC: 038081290843
SKU: 00-26302
Instrumentation: Viola

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips stands out as a driving force in string education, building a 27-year program in Saline, Michigan that became a national model for both classical and eclectic repertoire. His work spans over 200 published compositions for orchestras and bands, including the innovative Philharmonic series (Jazz, Rock, Mariachi, Latin, and Fiddlers editions), and he has trained thousands of teachers through his instructional DVDs and clinics.

As an ASCAP award-winning composer and conductor, Phillips has led ensembles across the country, from all-state orchestras to the prestigious Wintergrass Festival in Seattle, where he served as resident conductor and arranger for twelve years. His approach to string pedagogy emphasizes both large-group instruction and stylistic diversity, making complex musical concepts accessible to developing musicians.

Why we love this

Phillips builds improvisation comfort without demanding it, which means your students get authentic jazz experience in a structured, pressure-free setting. The recorded accompaniment transforms practice into a full ensemble experience, making rehearsal time productive whether you have access to a complete jazz band or not.

What to expect

These tunes swing with genuine jazz character while remaining rooted in classical string technique. The writing celebrates the viola's warmth in the context of jazz rhythm and harmony, creating an inviting entry into a musical language that feels both contemporary and rewarding.

Who it's for

String directors seeking to introduce jazz vocabulary and style to developing violists without requiring improvisation skills upfront. Players ranging from intermediate to early advanced levels will find material that challenges their reading and interpretation while building comfort with jazz phrasing and swing feel.

How to get the most out of it

  • Work through the pieces in the order presented; each composition builds naturally on the musical vocabulary and rhythmic concepts of the previous one.
  • Listen to the recorded accompaniment multiple times before rehearsal to internalize the jazz idiom and harmonic movement, which will improve ensemble precision.
  • Encourage students to play along with the CD during sectional rehearsals so violas develop confidence with jazz articulation and time-feel independent of full ensemble rehearsal.
  • After students master the written parts, use the recordings as a springboard for simple jazz exploration, allowing interested players to paraphrase or respond to the accompaniment.

How to use it

Feature Jazz Philharmonic as a spring concert stand-out or as a bridge between your classical winter programming and end-of-year concerts that showcase stylistic range. The pieces work equally well as repertoire for sectional viola time or as a full string ensemble component when violas share the stage with violins and cellos using the corresponding books.

Skills your students will build

  • Reading and performing jazz articulation (swing eighth notes, short-long phrasing)
  • Understanding chord changes and harmonic movement in jazz contexts
  • Developing ensemble synchronization with jazz rhythmic feel and swing
  • Responding musically to recorded accompaniment and learning independence within ensemble texture
  • Building comfort with jazz style interpretation before advancing to improvisation

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