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Jazz Performer: Uniquely Familiar: Piano Book

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Jazz Performer: Uniquely Familiar Cover Image

Jazz Performer: Uniquely Familiar: Piano Book

Standards for Advanced Solo Piano

Arranged by Bill Cunliffe

Level: Advanced

Item: 00-36437

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Description
Bill Cunliffe's arrangements are creative and filled with unique reharmonizations, yet maintain the integrity of the original compositions. Titles: But Not for Me (Gershwin) * Haunted Heart (Schwartz/Dietz) * How About You? (Lane/Freed) * Old Devil Moon (Lane/Harburg) * Old Folks (Robison/Hill) * Polkadots and Moonbeams (Van Heusen/Burke) * Pure Imagination (Bricusse/Newley) * Willow Weep for Me (Ronell) * You Must Believe in Spring (Legrand/Bergman) * Young and Foolish (Hague/Horwitt).

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Additional Details
Series: Jazz Performer Series
Publisher: Alfred Music
Page Count: 40
ISBN10: 0-7390-7671-X
ISBN13: 978-0-7390-7671-2
UPC: 038081409948
SKU: 00-36437

More about this title

About the Arranger: Bill Cunliffe

Bill Cunliffe

Bill Cunliffe earned recognition early as a Down Beat Award winner while studying at Eastman School of Music, then built a career as both a bandleader and a sought-after collaborator. He has performed alongside Ray Brown, Joe Henderson, Freddie Hubbard, and other jazz masters, and his work as pianist and arranger with Buddy Rich took him across Europe and into performances with Frank Sinatra. His compositions and arrangements have been performed by major orchestras including the Illinois Philharmonic, San Diego Symphony, and Pasadena Pops, and his recordings have earned Grammy nominations alongside critical acclaim from international press.

Cunliffe won the 1989 Thelonious Monk International Jazz Piano Award and has received support from the National Endowment for the Arts. His published instructional works include Max Blues Keyboard, Jazz Inventions for Keyboard, and Jazz Keyboard Toolbox through Alfred Music Publishing. As a prolific composer and arranger, he has released a dozen jazz albums as a leader; his arrangement "Do It Again" received a Grammy nomination in 2006, and his concert at the Wellington Jazz Festival was called the "best jazz piano since Oscar Peterson" by the Wellington Times.

Why we love this

Cunliffe's arrangements honor the melodic DNA of these standards while introducing sophisticated harmonic ideas that reward close listening and repetition. Advanced pianists will find genuine musical substance here, not arrangements that prioritize flash over thoughtfulness. Programming these pieces signals that your recitals value craftsmanship and respect the intelligence of both performers and audiences.

What to expect

Sophisticated and conversational, like sitting in on a session where the bandleader has spent years thinking about these tunes. The harmonies surprise without jarring; melodies emerge from fresh harmonic contexts that feel inevitable once you hear them. These are arrangements that respect the listener's ear while inviting the pianist into the arranger's private way of hearing these classics.

Who it's for

Advanced jazz pianists seeking substantial arrangements of jazz standards that demand both technical facility and interpretive maturity. This collection serves pianists ready to engage with sophisticated reharmonization and explore how a master arranger deepens familiar material without abandoning its essential character.

How to get the most out of it

  • Study the reharmonization carefully before approaching tempo; Cunliffe's chord choices often reframe familiar melodies in unexpected ways, and understanding the harmonic logic will inform your interpretation and voicing choices.
  • Balance transparency with sophistication in your touch. These arrangements can sound dense on the page, but they benefit from clear articulation and space between voices so the listener can follow the harmonic journey.
  • Listen to recordings of the original standards alongside Cunliffe's versions to internalize what has been preserved and what has been reimagined, then make deliberate choices about how much tradition to honor in your performance.
  • Allow yourself time to explore the left-hand independence required in several of these pieces; the accompaniment patterns are designed to support and enhance the melody, not simply underpin it.

How to use it

Feature these individually in recitals for advanced students or faculty concerts where the audience has ears for harmonic sophistication and wants to hear familiar standards through a new lens. They work especially well as the centerpiece of a program devoted to standards, or paired with other contemporary jazz piano writing to show how modern arrangers engage with the American songbook.

Skills your students will build

  • Reading and executing complex reharmonizations while maintaining melodic integrity
  • Developing independence between hands, particularly in left-hand accompaniment patterns that support rather than simply support the melody
  • Understanding voice leading and chord voicing choices in jazz contexts
  • Interpreting sophisticated harmonic progressions and making expressive choices based on harmonic function
  • Building fluency with standards-based repertoire and exploring interpretive flexibility within an arrangement

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