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Jazz Kyrie: SATB Choral Octavo

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Jazz Kyrie Cover Image
Jazz Kyrie: SATB Choral Octavo

Jazz Kyrie: SATB Choral Octavo

By Andy Beck

Item: 00-45613
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Description
Bossa nova (Portuguese for "new trend") is a musical genre that began in Brazil in the 1950s. The combination of samba rhythms, jazz sonorities, and lyrical melodies created a new, sophisticated style that was soon embraced by musicians worldwide. Here's a quintessential bossa nova on just three Latin words. Optional flute and/or vibraphone (available free online) add another smooth layer to this hip contemporary choral.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Jazz Kyrie: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081513522
SKU: 00-45613
Instrumentation: Opt. Flute and/or Vibraphone

More about this title

About the Composer: Andy Beck

Andy Beck

Andy Beck directs choral publications at Alfred Music while maintaining an active career as a composer and arranger. His catalog includes more than 450 choral works, vocal resources, and musicals in print, alongside pedagogical series like Sing at First Sight, Foundations in Choral Sight Singing, and Vocalize! 45 Vocal Warm-Ups That Teach Technique. His compositions are performed regularly by choirs around the world, a testament to their accessibility and musicality.

Beyond his publishing role, Beck works as a guest conductor, choreographer, adjudicator, and clinician across the United States and internationally. He has served as a commissioned composer and guest conductor for honor choirs and all-state groups, particularly throughout the Southeast. A trained tenor with degrees in music education from Ithaca College and Northwest Missouri State University, he continues to perform with the North Carolina Master Chorale Chamber Choir and has recorded extensively as an Alfred Music studio singer since 1992.

Why we love this

Beck's bossa nova treatment of the Kyrie text hits the sweet spot between hip and accessible. The three-word Latin text keeps the focus on groove and harmony rather than complex text painting, making it ideal for ensembles building confidence in contemporary jazz idioms without the learning curve of a full-length work.

What to expect

Breezy and sophisticated, with the cool elegance of a 1960s Brazilian jazz club meeting a sacred moment. The three Latin words float over walking bass lines and gentle syncopation, creating a meditation that feels modern, accessible, and genuinely spiritual.

Who it's for

This octavo works for intermediate to advanced choirs seeking contemporary sacred repertoire that feels both current and reverent. It suits ensembles with mixed experience in jazz idioms, since the straightforward text and Beck's clear voicing choices guide singers into the style naturally.

How to get the most out of it

  • Lock in the bossa nova rhythm section early in rehearsal. Tap the steady pulse against the syncopated written rhythms so singers feel the groove beneath their parts rather than fighting against it.
  • Layer the optional flute and vibraphone parts once the choir has solid command of their lines. These additions complete the sophisticated soundscape Beck created and lift the performance beyond a cappella warmth.
  • Shape the phrasing with the implicit swing inherent to jazz style. Avoid overly straight eighth notes; allow the natural lift and space that bossa nova requires to breathe.

How to use it

Program this as a concert opener to set an unexpected, contemporary tone, or use it as a bridge between a traditional sacred work and lighter fare. Its twelve-page length makes it practical for spring concerts or sacred/secular festival programming where you need something that intrigues without demanding an entire set.

Skills your students will build

  • Bossa nova rhythmic vocabulary and syncopation against a steady pulse
  • Jazz harmonic language and contemporary sonorities in a choral context
  • Ensemble listening and blend in a groove-based style
  • Latin text pronunciation and phrasing in a jazz idiom

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