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Jazz Junior: Vocal Book & Online PDF/Audio

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Jazz Junior Cover Image

Jazz Junior: Vocal Book & Online PDF/Audio

10 Standards for Solo or Unison Singing

Arr. Jay Althouse, Lisa DeSpain, Russell Robinson, Kirby Shaw, and Michele Weir

Item: 00-49866

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Description
Alfred's top vocal jazz arrangers were called upon to contribute Great American Songbook arrangements designed to introduce beginners to the genre. And oh, how they delivered! This is an indispensable collection for young soloists or unison singers including reproducible student pages and a fabulous foreword (with developmental exercises) by Dr. Michele Weir. Enhance the jazzy vibe with full rhythm section accompaniments on the available audio. Teach swing, scat, jazz articulations, stylizations, and more! Recommended for grades four and up.

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Additional Details
Publisher: Alfred Music
Page Count: 64
ISBN10: 1-4706-5157-2
ISBN13: 978-1-4706-5157-2
UPC: 038081572444
SKU: 00-49866

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both publishing and composition; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, Althouse has created more than 800 choral works performed throughout the English-speaking world and receives regular recognition from ASCAP for his contributions to standard music.

Beyond composition, Althouse has shaped music education through numerous collaborative projects and instructional resources. He co-wrote children's musicals with his wife Sally K. Albrecht, compiled respected vocal solo collections including Folk Songs for Solo Singers, and authored widely-used classroom resources such as Ready to Read Music and One-Page Composer Bios. His choral work I Hear America Singing, co-written with Albrecht, was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's 2009 Inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

A curated selection from Alfred's top jazz arrangers means each arrangement carries pedagogical intention alongside authentic jazz vocabulary. The inclusion of Dr. Michele Weir's developmental foreword transforms this from a collection into a teaching tool, grounding students in swing, scat, and jazz phrasing before they sing a single note. Recorded full rhythm section accompaniments make the arrangements immediately accessible to young soloists who might otherwise lack the accompaniment support needed to explore the genre confidently.

What to expect

Swinging, conversational, and playfully sophisticated. These arrangements invite singers to loosen their classical posture and find the syncopated groove of American jazz standards, complete with the bluesy inflections and rhythmic freedom that define the idiom. There's joy in the scat passages and warmth in the melody lines, creating an experience that feels both instructional and genuinely fun to perform.

Who it's for

Young soloists in grades four and up who are encountering jazz singing for the first time, as well as unison ensembles exploring the Great American Songbook through a jazz lens. Directors seeking accessible yet authentic introductions to swing, scat, and jazz phrasing will find this collection bridges the gap between classical vocal training and jazz vernacular.

How to get the most out of it

  • Work through the developmental exercises in Dr. Weir's foreword before assigning arrangements; these lay the foundation for swing articulation and jazz phrasing that students will apply throughout the book.
  • Use the recorded accompaniments to establish the rhythmic and harmonic context of swing; have students listen first, then sing along, then sing unaccompanied once the style takes root.
  • Isolate scat passages for focused rehearsal, breaking them into smaller sections so students internalize both the rhythm pattern and the improvisational spirit behind the technique.
  • Encourage soloists to experiment with stylization and jazz articulation in rehearsal before locking in a final interpretation; this genre rewards personal expression within a learned framework.

How to use it

Feature these arrangements in a jazz or American music themed concert, pairing them with instrumental jazz selections to create a cohesive program. The reproducible student pages make this collection ideal for building a jazz literacy unit within your curriculum, allowing students to own the material while you manage costs. Blend these with classical standards in a variety show to show the breadth of vocal styles your singers command.

Skills your students will build

  • Swing articulation and rhythmic interpretation
  • Scat singing techniques and improvisation framework
  • Jazz phrasing, syncopation, and blue notes
  • Stylistic flexibility and expressive interpretation in jazz contexts
  • Listening and responding to recorded rhythm section accompaniments

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