Jazz Hosanna Sheet Music Preview

Jazz Hosanna: SATB Choral Octavo

As performed by Pepper Choplin

Item: 35-DS00317343

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS00317343

More about this title

About the Artist: Pepper Choplin

Pepper Choplin

Pepper Choplin holds degrees in music from the University of North Carolina at Greensboro (Bachelor) and Southwestern Baptist Theological Seminary in Fort Worth, Texas (Master in composition). His catalog includes over two hundred anthems and seven choral musicals, drawing from a performing background that spans rock, classical, and bluegrass styles. He has worked as a church musician, theme park entertainer, and now serves as Minister of Music at Greystone Baptist Church in Raleigh, North Carolina.

Choplin's work as composer, clinician, conductor, and entertainer takes him across the country to churches and conferences, where audiences respond to his blend of inspirational and humorous material. Many of his pieces emerge directly from worship needs at his home church. His creative vision centers on one clear goal: crafting music that invites people into dramatic, genuine worship. His recordings include the self-produced Pepper Is My Real Name, featuring his comedic songs, and Hold On, a solo album of his most beloved inspirational work.

Why we love this

Choplin takes the word "Hosanna" and sets it loose in a contemporary jazz framework, creating something that feels both reverent and alive. The six-page octavo sits in that sweet spot where accessibility meets sophistication, allowing community choirs and church ensembles to sound polished without requiring extensive arranging experience.

What to expect

Jazz Hosanna pulses with a contemporary energy while maintaining the spiritual weight of its liturgical text. The harmonic palette feels fresh and current, inviting singers to discover modern jazz voicings alongside straightforward, singable lines that audience members can follow.

Who it's for

This octavo works well for church choirs, community choruses, and secular concert ensembles looking to add a contemporary sacred piece to their repertoire. It also suits directors seeking material that bridges traditional choral singing with modern harmonic language without sacrificing text clarity or emotional depth.

How to get the most out of it

  • Let the jazz harmonies breathe; resist the urge to over-cut the rhythms. The style asks for forward motion with space, not choppiness.
  • Balance blend in the rhythm section parts (bass and any optional accompaniment) so they anchor rather than dominate the choral sound.
  • Highlight the text setting on "Hosanna" itself. Choplin's rhythmic choices here will guide your phrasing naturally if you follow his notation closely.
  • Consider the accompaniment carefully during rehearsal; it shapes how the choir lands its attacks and releases.

How to use it

Position this piece in a concert where you want to showcase choral versatility, pairing it alongside a cappella Renaissance motets or more traditional hymn arrangements to demonstrate range. It also serves nicely as a bridge between a classical first half and lighter, more contemporary fare in your second half.

Skills your students will build

  • Reading and performing jazz harmonic language and extended chord structures
  • Maintaining rhythmic precision within a contemporary grooved style
  • Balancing blend with independence across four distinct parts in modern voicing
  • Connecting text expression to contemporary musical idiom

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