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Jazz Guitar Harmony: Guitar Book & Online Audio

$24.95 USD
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Jazz Guitar Harmony Cover Image

Jazz Guitar Harmony: Guitar Book & Online Audio

The Melodic Approach

By Zvonimir Tot

Level: Advanced

Item: 24-JGH

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Description
Learn jazz guitar harmony in a logical, step-by-step way that is always focused on gig-ready applications. Harmony-melody relationship is explored in detail via "hands on" examples that start with simple voicings over common chord changes (ii-V-I, I-vi-ii-V and others) and moves on to comping over well-known jazz standards and blues. The standards are fully notated with beautiful and lush passing chords in the style of the great guitarists. Finally, learn about the basics of jazz harmony.

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Additional Details
Series: Jamey Aebersold Jazz
Publisher: Jamey Aebersold Jazz
Page Count: 88
ISBN10: 1-56224-305-5
ISBN13: 978-1-56224-305-0
UPC: 635621501430
SKU: 24-JGH

More about this title

About the Author: Zvonimir Tot

Zvonimir Tot is a jazz guitarist and educator whose approach to harmony instruction prioritizes the practical demands of real gigs. His pedagogical philosophy centers on building skills through direct application rather than abstract theory, making his material especially valuable for students who learn best by playing through actual repertoire.

Tot's work within the Jamey Aebersold Jazz series reflects a deep understanding of how jazz guitarists voice chords in ensemble settings, from comping patterns to reharmonization choices used by working professionals.

Why we love this

Most jazz guitar harmony books either stay theoretical or jump straight to advanced reharmonization. This one builds a bridge by grounding every concept in the chord progressions and standards guitarists actually encounter in real sessions. The progression from simple ii-V-I voicings to comping over full arrangements mirrors how professionals actually develop their skills.

What to expect

Moving through these pages feels like sitting in on a masterclass where someone shows you not just the chords, but why and when to use them. The passage from basic voicings to rich, jazz-informed harmony on standards gives you that satisfying shift from learning the language to speaking it naturally.

Who it's for

Advanced jazz guitarists who want to sharpen their comping vocabulary and understand the harmonic choices used by the tradition's great voices. This book serves self-teaching musicians and students in jazz ensemble programs who need practical guidance on how harmony actually works on the bandstand.

How to get the most out of it

  • Study the notated voicings in the standards section closely; these arrangements show you how the harmony works in context, not just in isolation. Use them as templates for your own comping choices on similar tunes.
  • Work through the common chord changes section methodically before jumping to the full standards. Building fluency in ii-V-I and I-vi-ii-V progressions first gives you the foundation to understand what the passing chords are doing in the fuller arrangements.
  • Use the recorded audio to lock in with the rhythm section and hear where your voicings sit in the band. This shifts your understanding from 'reading the shapes' to 'hearing the harmony function.'

How to use it

Assign this as supplemental material for jazz ensemble guitarists who need to strengthen their comping independence, or use it as a self-directed study guide for advanced students working toward leadership roles in jazz combos. The fully notated standards work well as reference material when your ensemble is preparing jazz repertoire that benefits from guitar voices beyond basic shell voicings.

Skills your students will build

  • Voicing ii-V-I and other common jazz progressions on guitar across multiple registers
  • Understanding harmony-melody relationship through chord-by-chord analysis of jazz standards
  • Comping texture and placement: knowing when to comp thickly with passing chords versus laying out
  • Reading and adapting notated jazz guitar arrangements to develop personal voicing preferences
  • Hearing and reproducing the harmonic language of jazz guitar tradition through listening-based work with recorded audio

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