Jazz Guitar for Classical Cats: Harmony: The Classical Guitarist's Guide to Jazz
The Classical Guitarist's Guide to Jazz
By Andrew York
Item: 00-PB-0002185
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About the Composer: Andrew York
Andrew York stands among the most recorded classical guitarists of his generation, with a catalog spanning Bach transcriptions, contemporary commissions, and original compositions that bridge classical and popular idioms. His pedagogical work reflects decades of performance experience and a commitment to expanding what's possible on the classical guitar, particularly in genres where the instrument has historically had limited voice.
Why we love this
York doesn't position jazz as something classical guitarists must "learn" separately; instead, he grounds jazz harmony in the foundational concepts already in your students' hands. The intimate scale of this book and its author-performed recordings create a master class atmosphere where technique and musicianship develop together.
What to expect
This is music for musicians fluent in classical language discovering a new dialect. The harmony feels sophisticated and intellectually satisfying while remaining accessible, never sacrificing rigor for approachability.
Who it's for
Classical guitarists ready to explore jazz vocabulary without abandoning their classical foundation. Advanced students and adult learners benefit most, particularly those drawn to composition or improvisation within a structured harmonic framework.
How to get the most out of it
- Reference York's recordings early and often. His phrasing demonstrates how harmonic understanding translates to expressive playing rather than academic exercise.
- Work through the harmony examples without rushing to full pieces. Let your ears absorb the voice leading before adding rhythmic interpretation.
- Apply each harmony concept to standards you already know. This anchors abstract theory to repertoire your students may encounter in other settings.
How to use it
Assign this as supplementary material for advanced classical students exploring composition or contemporary music. It also works beautifully alongside jazz history units, offering instrumental agency rather than passive listening.
Skills your students will build
- Jazz harmony vocabulary (seventh chords, extensions, altered dominants)
- Voice leading in jazz contexts
- Chord substitution and reharmonization
- Comping and accompaniment textures
- Translating harmonic concepts to fingerboard shapes