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Jamey Aebersold Jazz, Volume 97: Standards with Strings: Book & CD

$17.90 USD
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Jamey Aebersold Jazz, Volume 97: Standards with Strings Cover Image

Jamey Aebersold Jazz, Volume 97: Standards with Strings: Book & CD

By Jamey Aebersold

Level: Intermediate / Advanced

Item: 24-V97DS

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Description
When Charlie Parker made his famous "with strings" recordings, jazz musicians realized the potential of lushly orchestrated strings to enhance their own creativity. Legendary players soon followed suit, making a "with strings" album almost an essential rite of passage. Here are 10 beautiful standards arranged by jazz great and award-winning arranger Lennie Niehaus. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Steve Davis (d); Peter McHugh (Violins); Alan Oldfield (Synth Strings). Titles: I Cover the Waterfront * Fools Rush In * You Go to My Head * September in the Rain * You're My Everything * You and the Night and the Music * Autumn in New York * When Your Lover Has Gone * Namely You * Lover, Come Back to Me.

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Additional Details
Series: Jazz Play-A-Long for All Instrumentalists and Vocalists
Publisher: Jamey Aebersold Jazz
Page Count: 62
ISBN10: 1-56224-256-3
ISBN13: 978-1-56224-256-5
UPC: 635621000971
SKU: 24-V97DS

More about this title

About the Author: Jamey Aebersold

Jamey Aebersold revolutionized jazz education by making improvisation accessible to musicians of all levels. His play-along series, which launched in 1967, has become the standard resource in jazz curricula worldwide, allowing thousands of students to learn in an ensemble setting rather than in isolation.

Why we love this

Lennie Niehaus's arrangements honor the orchestral elegance of classic "with strings" recordings while keeping the focus squarely on your soloist. The balance between lush string writing and clear space for improvisation makes this collection ideal for jazz students who want to sound like professionals from day one.

What to expect

Stepping into a Manhattan jazz club in the 1950s. The string arrangements create an immediate sense of elegance and intimacy, while the standards themselves carry decades of interpretive history. Your improvisation becomes a conversation with tradition rather than a fight against it.

Who it's for

Intermediate to advanced jazz musicians ready to tackle sophisticated harmony and longer-form improvisation. Vocalists find this collection particularly valuable for learning how to navigate arrangement without dominating it. Small ensemble directors seeking repertoire that sounds fuller than a standard rhythm section while remaining affordable.

How to get the most out of it

  • Listen closely to the violin phrasing on the recorded version; the strings often voice the melody with sophisticated harmonies that will inspire your own solo approach.
  • Treat the synth strings like a full orchestra behind you rather than accompaniment. Let them shape your phrasing and dynamics.
  • Sit with the rhythm section groove before adding ornamentation. Steve Allee's piano voicings are dense enough that excessive embellishment will muddy the texture.
  • Take your time with ballads like "When Your Lover Has Gone." The orchestration rewards space and transparency in your lines.

How to use it

Feature this in a jazz showcase or gala concert where you want to showcase both your improvisation program and the sophistication of your students' musicianship. The arrangements work equally well as a pedagogical tool in sectional rehearsals, where students can study how Niehaus voiced harmonies and planned orchestration. Consider programming individual selections throughout the school year as students progress through the intermediate-advanced curriculum.

Skills your students will build

  • Navigating chord changes over longer melodic phrases
  • Listening to and responding to orchestral texture while soloing
  • Interpreting standards with harmonic awareness and phrasing nuance
  • Balancing linear improvisation with orchestral accompaniment
  • Reading and performing in a lush harmonic context

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