Jamey Aebersold Jazz, Volume 45: Bill Evans Cover Image

Jamey Aebersold Jazz, Volume 45: Bill Evans: Book & CD

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Jamey Aebersold Jazz, Volume 45: Bill Evans Cover Image

Jamey Aebersold Jazz, Volume 45: Bill Evans: Book & CD

By Bill Evans

Level: Intermediate / Advanced

Item: 24-V45DS

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Description
Harmonically speaking, Bill Evans remains one of the most influential musicians and composers in jazz. His compositions are among the richest and most original---laced with beautiful, lush alterations and passing chords. This set represents a sampling of Bill's illustrious career from "Waltz for Debby," written in 1954, to "Laurie," composed in 1979. Others provide unique challenges and give valuable insight into Bill's creative genius. The rhythm section skillfully plays each composition in the Bill Evans style, including his favorite piano voicings. All to provide you with a realistic sense of the Bill Evans mystic. Rhythm Section: Dan Haerle (p); Todd Coolman (b); Steve Davis (d). Titles: Waltz for Debby * Walkin' Up * Laurie * Peri's Scope * Funkallero * Turn Out the Stars * Very Early * Interplay * Time Remembered.

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Additional Details
Series: Jazz Play-A-Long for All Musicians
Publisher: Jamey Aebersold Jazz
Page Count: 40
ISBN10: 1-56224-203-2
ISBN13: 978-1-56224-203-9
UPC: 635621000452
SKU: 24-V45DS

More about this title

About the Author: Bill Evans

Bill Evans (1929-1980) was a pianist and composer whose harmonic innovations fundamentally changed how jazz musicians think about chord voicings and extensions. His approach to reharmonization, voice leading, and modal harmony influenced generations of jazz artists across all instruments. Evans's compositions balance lyrical melody with sophisticated harmonic architecture, making them essential study material for anyone serious about understanding modern jazz language.

Why we love this

This collection captures Evans's compositional evolution across three decades, giving students direct access to his harmonic thinking through both the written scores and the rhythm section recordings that model his piano voicings. The pairing of melody with realized harmony in the backing tracks removes the guesswork about how to approach these pieces and lets musicians focus on phrasing, interpretation, and their own harmonic contributions.

What to expect

These pieces carry Evans's signature blend of introspection and intellectual rigor. The harmonies breathe with space and restraint even as they contain rich chromatic movement; melodies are often spare but weighted with meaning, asking the performer to listen closely and respond thoughtfully rather than rely on surface energy.

Who it's for

Intermediate to advanced jazz musicians on any instrument who want to deepen their harmonic literacy and understand how a master composer structures jazz pieces. Pianists will find the voicings especially valuable; horn players and bassists will gain insight into how Evans voiced for ensemble and how to comp or respond to his harmonic language.

How to get the most out of it

  • Study the recorded rhythm section carefully before your first run-through; Evans's harmonic language often sits outside of conventional changes, and hearing the accompaniment first prevents the score from feeling disorienting.
  • Pay attention to the passing chords and alterations marked in the melody line; these aren't decorative but central to Evans's compositional voice and his approach to tension and resolution.
  • Use the slower selections like 'Waltz for Debby' and 'Time Remembered' to develop sensitivity to rubato and space; Evans's writing rewards patience and deliberate phrasing over strict time.

How to use it

Assign individual Evans compositions as focal points for jazz history or harmony units, using the recorded versions to anchor classroom or ensemble discussion. Depending on your ensemble's level, select one or two pieces for a jazz concert program that showcases your musicians' ability to navigate sophisticated harmonic territory.

Skills your students will build

  • Reading and voicing chromatic alterations and passing chords in jazz changes
  • Interpreting modal and non-functional harmonic movement
  • Developing sensitivity to rubato, phrasing, and space in jazz interpretation
  • Understanding voice leading principles in piano voicing and ensemble arranging
  • Building harmonic vocabulary through study of a master composer's work

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