Jamey Aebersold Jazz, Volume 128: Django Reinhardt "Gypsy Jazz" Cover Image

Jamey Aebersold Jazz, Volume 128: Django Reinhardt "Gypsy Jazz": Book & Online Audio

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Jamey Aebersold Jazz, Volume 128: Django Reinhardt "Gypsy Jazz" Cover Image

Jamey Aebersold Jazz, Volume 128: Django Reinhardt "Gypsy Jazz": Book & Online Audio

By Django Rheinhardt

Level: Intermediate / Advanced

Item: 24-V128DS

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Description
Includes 13 great tunes from the famous Gypsy Jazz era and a tribute song, all performed in an authentic style by a masterful guitar trio. Swinging and fun to play! Be sure to listen to the demonstration tracks under the audio samples tab. For all instruments. Rhythm Section: Dave Stryker (Acoustic Maccaferri-Style Guitar); Bill Mooring (Bass); Colby Inzer (Drums). Titles: After You've Gone * Bei Mir Bist Du Schon * Body and Soul * Django's Cloud (same changes as Nuages) * Limehouse Blues * Minor Swing * Montagne Ste. Genevieve * Rose Room * Sweet Georgia Brown * Swing 42 * Swing Guitar * The Sheik of Araby * The World Is Waiting for the Sunrise.

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Additional Details
Series: Jazz Play-A-Long for All Musicians
Publisher: Jamey Aebersold Jazz
Page Count: 68
ISBN10: 1-56224-270-9
ISBN13: 978-1-56224-270-1
UPC: 063562100128
SKU: 24-V128DS

More about this title

About the Author: Django Rheinhardt

Django Reinhardt revolutionized jazz guitar in the 1930s and 1940s, creating a entirely new vocabulary for the instrument that blended American swing with European sensibility and Romani musical traditions. His acoustic playing style, developed on the Maccaferri guitar, became the blueprint for what would later be called Gypsy jazz. Despite a severe hand injury that claimed two fingers, Reinhardt's technical mastery and harmonic sophistication influenced generations of musicians across multiple genres.

For educators, Reinhardt's legacy offers something rare: a direct connection between improvisation, composition, and cultural identity. His tunes reward repeated listening and study, revealing new layers of melodic invention and rhythmic nuance each time. Teaching his music introduces students to a complete musical world that exists outside the American jazz mainstream, expanding their conception of what swing can be.

Why we love this

The rhythm section here captures the essence of Hot Club de France sound with genuine swing and clarity that makes playing along immediate and enjoyable. Rather than generic comping, you get purposeful, conversational accompaniment that responds to and supports your solo ideas, which means students hear exactly how their phrasing should sit in the groove.

What to expect

Lithe and sophisticated, with a kind of conversational intimacy that comes from small ensemble playing. There's swing here, unmistakably, but it moves with a different weight and texture than big band jazz, favoring clarity and articulation over sheer volume. These melodies sit naturally under the fingers and invite repeated exploration.

Who it's for

Intermediate and advanced players across all instruments who want to venture beyond standard American jazz repertoire and explore how melody and harmony function in the European swing tradition. This book works equally well for soloists, rhythm section players, and ensemble members who need to understand the Gypsy jazz aesthetic from the inside.

How to get the most out of it

  • Listen first to how the guitar trio phrases the melody. Notice where they sit slightly behind or ahead of the beat. Match that ease and relaxation in your approach.
  • Pay special attention to the chord changes on the standards; Reinhardt's arrangements often feature quick turnarounds and passing chords that differ from lead sheet versions. Sing the melody several times before improvising.
  • Treat the minor key tunes with particular care. "Minor Swing" and "Django's Cloud" demand a different touch than major blues; resist the temptation to swing too hard and listen for the balance between legato phrasing and rhythmic clarity.
  • Record yourself soloing over the tracks, then listen back while following the written melody. You'll hear patterns in your own playing and identify exactly where the rhythm section is pulling or pushing.

How to use it

Use this as a focused unit during jazz ensemble season, programming a Reinhardt tune alongside American standards to highlight the contrast in approach and phrasing. Alternatively, assign it to advanced soloists as a solo study project; the 13 tunes provide excellent variety without requiring the commitment of a full jazz history curriculum.

Skills your students will build

  • Recognizing swing feel across different cultural and regional traditions
  • Navigating quick harmonic movement and passing chords in arrangement
  • Balancing articulation and legato phrasing in minor key improvisation
  • Listening to and locking with rhythm section accompaniment
  • Building solo vocabulary from melody-based composition
  • Understanding chord substitutions and reharmonization in the Gypsy jazz tradition

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