Jamey Aebersold Jazz, Volume 117: Cole Porter for Singers Cover Image

Jamey Aebersold Jazz, Volume 117: Cole Porter for Singers: Vocal Book & 2 CDs

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Jamey Aebersold Jazz, Volume 117: Cole Porter for Singers Cover Image

Jamey Aebersold Jazz, Volume 117: Cole Porter for Singers: Vocal Book & 2 CDs

14 Songs in Singer's Keys -- Recorded for Low and High Voice

By Jamey Aebersold

Item: 24-V117DS

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Description
Fourteen of the greatest standards ever written now in keys specifically designed for singers. Includes a book and 2 CDs, one CD for high voice and the other CD for low voice, so all singers, men and women, can find a key comfortable for their personal range. The book includes all of the songs written in both keys with lyrics clearly notated over the melody line. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Jonathan Higgins (d). Titles: You'd Be So Nice to Come Home To (B-flat,G-/G,E-) * I've Got You Under My Skin (D-flat/B-flat) * What Is This Thing Called Love? (B-flat/G) * Night and Day (D/C) * Love for Sale (A-flat/F-) * Just One of Those Things (E-flat/C) * In the Still of the Night (E-flat/C) * I Love You (E-flat/C) * I Concentrate on You (D/C) * Get Out of Town (G/E-flat) * From This Moment On (F/E-flat) * Easy to Love (G/E-flat) * At Long Last Love (B-flat/G) * All of You (E-flat/B-flat).

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Additional Details
Series: Jazz Sing-A-Long
Publisher: Jamey Aebersold Jazz
Page Count: 58
ISBN10: 1-56224-155-9
ISBN13: 978-1-56224-155-1
UPC: 635621001176
SKU: 24-V117DS

More about this title

About the Composer: Jamey Aebersold

Jamey Aebersold revolutionized jazz education by creating a systematic, playable approach to learning standards and improvisation. His series of play-along books, backed by professional rhythm sections, gave generations of musicians the chance to rehearse with world-class accompaniment at home, a resource that was simply unavailable before his work.

As both a saxophonist and pedagogue, Aebersold understood that students learn jazz by doing it, not by reading about it. His publishing legacy reflects that philosophy: functional, practical materials designed to build confidence and musicianship in real time.

Why we love this

Cole Porter's melodies are instantly recognizable and endlessly rewarding to sing, but finding the right key for your ensemble used to mean transposing by hand. Aebersold solves this by providing each of the fourteen standards in two keys, paired with carefully calibrated rhythm section recordings that stay tight and supportive. Your soloists get professional backing that matches their range.

What to expect

Cole Porter's standards shimmer with sophistication and playfulness. These arrangements preserve that character; the rhythm section is polished but never stiff, giving singers room to breathe and phrase naturally while staying grounded in strong harmonic support. Singing over these recordings feels like having access to a top-tier jazz combo in your practice room.

Who it's for

Jazz singers preparing for solo performance, recitals, or auditions; vocal jazz combos and ensembles; and music teachers building a repertoire of singable standards. This works equally well for the teenager discovering these songs for the first time and the experienced vocalist seeking reliable accompaniment in a new key.

How to get the most out of it

  • Encourage singers to study the lyrics before the first rehearsal. Porter's wit lives in the words, and understanding the text transforms a nice melody into a great performance.
  • Use the recorded accompaniment in rehearsals to establish tempo and feel, then gradually shift to live piano as your singers gain confidence with the changes.
  • Work the bridge separately from the A sections. Many of these tunes modulate or shift harmonic territory in the middle eight, and isolating that section prevents stumbles.
  • Pair high and low voice recordings strategically. If you're performing with both male and female singers, rehearse them on their respective tracks, then blend them together on piano.

How to use it

Feature these in a jazz or standards concert, or use them as the foundation for a vocalist recital. You can also integrate individual tunes into a mixed vocal program to demonstrate how a single great song can bridge classical training and jazz interpretive skills. The two-key option means you can program the same tune twice with different singers, turning a limitation into a programming asset.

Skills your students will build

  • Navigating jazz harmony and chord changes while maintaining lyrical integrity
  • Interpreting Porter's sophisticated lyrics with appropriate phrasing and diction
  • Transposing and adapting vocal range without losing musical character
  • Working confidently with recorded accompaniment and adjusting to rhythm section feel
  • Building swing vocabulary and jazz articulation within a traditional standards repertoire

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