Jamey Aebersold Jazz, Volume 108: Joe Henderson Cover Image

Jamey Aebersold Jazz, Volume 108: Joe Henderson: Book & CD

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Jamey Aebersold Jazz, Volume 108: Joe Henderson Cover Image

Jamey Aebersold Jazz, Volume 108: Joe Henderson: Book & CD

Inner Urge

By Joe Henderson

Level: Intermediate / Advanced

Item: 24-V108DS

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Description
Includes 15 of the best jazz songs of the '60s and '70s by the legendary jazz giant Joe Henderson. Rhythm Section: Steve Allee (p); Tyrone Wheeler (b); Steve Davis (d). Titles: Step Lightly * Recorda Me * Inner Urge * Out of the Night * Black Narcissus * A Shade of Jade * Isotope * Serenity * Mamacita * The Kicker * Punjab * Jinriksha * Granted * Mo' Joe * Homestretch.

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Additional Details
Series: Jazz Play-A-Long for All Instrumentalists
Publisher: Jamey Aebersold Jazz
ISBN10: 1-56224-145-1
ISBN13: 978-1-56224-145-2
UPC: 635621001084
SKU: 24-V108DS

More about this title

About the Author: Joe Henderson

Joe Henderson was one of jazz's most inventive and harmonically sophisticated tenor saxophonists, recording prolifically for Blue Note Records throughout the 1960s and 70s. His compositions and improvisations balanced angular modernism with soul and accessibility, making him a favorite among serious musicians and audiences alike.

Why we love this

Henderson's writing resists easy categorization; these tunes swing with melodic clarity while demanding harmonic awareness and interpretive maturity from soloists. The rhythm section is tight and responsive, giving players real conversation partners rather than just timekeeping accompaniment.

What to expect

Sophisticated without pretension. Henderson's tunes land somewhere between the straightforward grooves of soul-jazz and the angular reharmonization of the avant-garde, creating music that feels both grounded and exploratory. Every melody has intention; every change has air to breathe.

Who it's for

Intermediate to advanced players ready to engage with real jazz repertoire from one of the music's most respected voices. This collection suits musicians preparing for jazz combos, wanting to expand their soloing vocabulary, or developing an ear for sophisticated harmony.

How to get the most out of it

  • Listen closely to the recorded soloists before you play your own chorus. Henderson's tenor lines show you the melodic and harmonic priorities of each tune, and the phrasing choices reveal how to navigate the changes.
  • Pay attention to the melody's rhythmic profile. Henderson often uses syncopation and space as compositional tools; rushing or overplaying will flatten the tune's character.
  • Treat the head as a blueprint, not a blueprint alone. Leave room to shape phrases and breathe organically with the rhythm section.

How to use it

Assign one tune per week in a jazz ensemble or combo setting, letting students work through the full recorded performance before taking solos themselves. These charts work equally well as practice material for jazz students preparing auditions or building solo credibility.

Skills your students will build

  • Navigating compound changes and chromatic harmonic movement
  • Building coherent solos over non-standard tune structures
  • Listening and responding to rhythm section nuance and pocket
  • Transcribing and internalizing melodic phrasing from recorded solos
  • Interpreting syncopated rhythms and space within ensemble contexts

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