Ixion [for 2 Pianos] Cover Image

Ixion [for 2 Pianos]: Piano x2, 4 Hands

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Ixion [for 2 Pianos] Cover Image

Ixion [for 2 Pianos]: Piano x2, 4 Hands

By Morton Feldman

Item: 98-EP6926A

$56.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 20
ISBN10: 0-30-075198-2
ISBN13: 979-0-3007-5198-6
SKU: 98-EP6926A

More about this title

About the Composer: Morton Feldman

Morton Feldman (1926-1987) was an American composer who fundamentally reshaped how musicians think about sound, silence, and notation. Working outside traditional twelve-tone and serialist frameworks, Feldman developed a compositional approach centered on listening and spontaneity, often using graphic or indeterminate notation to free performers from rigid metric control. His influence on contemporary music is profound, particularly in his insistence that music need not follow predetermined structural rules to achieve coherence and beauty.

Feldman's piano works are central to his legacy. He wrote extensively for the instrument throughout his career, exploring its sonoric possibilities through unconventional techniques and sparse textures. His pieces demand a different kind of attention from both performer and listener, rewarding those willing to engage with music on its own terms rather than through familiar structural expectations.

Why we love this

Ixion offers two pianists a rare opportunity to navigate a major twentieth-century work written specifically for the four-hands, two-piano medium. Rather than arranging or transcribing for additional hands, Feldman composed this piece with the collaborative relationship at its core, creating compelling musical material for both instruments while demanding genuine ensemble listening and coordination from the performers.

What to expect

Ixion unfolds with deliberate, crystalline clarity, often sparse and contemplative. The piece invites listeners into a world where silence holds as much weight as sound, where individual pitches and timbral shifts command attention. There is a meditative quality throughout, with the two pianos creating an intimate conversation that requires patient, focused listening.

Who it's for

Advanced pianists comfortable with contemporary music notation and aesthetic who want to deepen their understanding of Feldman's approach to the piano medium. This work suits two accomplished musicians preparing for recital or festival programming and serves as a meaningful entry point into the composer's distinctive sound world.

How to get the most out of it

  • Study the score together before rehearsals begin so both pianists understand the overall architecture and how each part contributes to the whole. Feldman's notation may unfold differently than traditional metric structures, so early alignment prevents confusion during rehearsal.
  • Pay close attention to dynamic and timbral relationships between the two pianos rather than treating them as separate voices. The balance and blending of sonorities is essential to the piece's effect.
  • Allow rehearsal time for the two pianists to develop independence while maintaining ensemble cohesion. This balance is central to Feldman's compositional intent.
  • Explore the resonance qualities of your instruments during rehearsal. Feldman's use of the piano's tonal palette is deliberate, and matching the character between two instruments may require attention to lid position and pedal technique.

How to use it

Program Ixion on a contemporary music recital or alongside other twentieth-century piano works to demonstrate the breadth of compositional approaches to the instrument. It also works powerfully as a closing piece, offering audiences a chance to experience music that rewards sustained attention and quiet contemplation.

Skills your students will build

  • Reading contemporary and graphic notation systems
  • Ensemble coordination and listening between two independent pianists
  • Timbral awareness and control of sustain pedal for sonoric blending
  • Interpretive decision-making in works with indeterminate elements
  • Developing patience and focus in sparse, minimal textures

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